Dicionário de Acordes Curtos - cifradventista.comcifradventista.com/download/Teoria...

Dicionário de Acordes Curtos Acordes pa ra Violão e Guitarra

Sedecias Lopes Cavalcante

Louvem a Deus todas as cr iaturas da terra – [email protected] - Página 1 de 621

Este trabalho visa demonstrar as diversas formas de se executar o mesmo acorde no

braço do violão ou guitarra, enriquecendo assim o vocabulário de violonistas e guitarristas

iniciantes que não tem acesso a literaturas diversas nem a cursos de teoria musical ou

computadores com acesso a internet e/ou dicionários de acordes eletrônicos.

Nomenclatura

Variações do mesmo acorde

Existem diversas formas de se executar o mesmo acorde. Dependendo do local do braço o som

produzido se encaixará melhor na música executada. Note também que o mesmo acorde pode

receber nomenclaturas diferentes como a seguir C11+ que pode ser encontrado na forma C4+

(a 11 é a 4 uma oitava acima. Não se usa o 4 em acordes menores, mas o 11) ou na forma

Em(5+)/add9/C ou ainda F#5-/add2/7/C (no3) ou mais complexo ainda como Gadd11/6/7M/C

(no3) (no5). Mas o importante é que você consiga fazer os acordes e evoluir no estudo do

instrumento. Quando tiver oportunidade, não hesite em estudar a teoria. Vale à pena saber

interpretar os números que aparecem ao lado dos acordes. Existe uma apostila muito

esclarecedora chamada “Violão – entenda as cifras” no site www.dirsom.com.br. Estude-a até

aprender tudo que está escrito nela. Os acordes podem ser substituídos por outros que

mantém um estreito relacionamento entre si. Ex.: C, C9, C6, C6/9, C7M, C7M(6), C7M(9).

Enarmonia

Compare esses dois acordes C/E e Em(#5) e veja as semelhanças entre eles:

C/E

Em(#5)




Por isso é importante que você estude a teoria quando puder pra que possa

desenvolver melhor o talento que Deus te deu e que um dia vai te pedir contas.

Se C/E = Em(#5), então podemos fazer uma relação de outros acordes que seguem a

mesma lógica.

C/E = Em(#5) C#/F = Fm(#5) D/F# = F#m(#5)

D#/G = Gm(#5) E/G# = G#m(#5)

F/A = Am(#5) F#/A# = A#m(#5)

G/B = Bm(#5) G#/C = Cm(#5) A/C# = C#m(#5)

A#/D = Dm(#5) B/D# = D#m(#5)

Observando com mais atenção o acorde de C/E, percebemos que, o baixo alterado do acorde será o acorde acrescido de m(#5). Pega-se o E e acrescenta o m(#5). Logo, qualquer que

seja o acorde maior com baixo alterado, basta pegar o baixo e acrescentar o m(#5) que teremos outro nome pro mesmo formato de acorde. Com o tempo você verá que existem diversas formas de se denominar o mesmo acorde, dependendo do campo harmônico e ou

escala que se está usando.

Também é preciso compreender o que significam as letras que aparecem depois da

barra. Ex: C/E, i.é., Dó maior com o baixo em Mi. Então, qualquer que seja a letra que apareça

depois da barra, significa o baixo do acorde.

Intervalos: Se o acorde for #, usamos 4+, se for b, usamos 5dim

Logo: 2maior = 3menor, 3maior = 4menor

Durante o exercício, ao sentir dor nos dedos, pare, relaxe, descanse e faça acordes

mais simples. Com o tempo seus dedos estarão acostumados e já não será problema fazer

acordes que antes você achava impossível.

Restringiremos a distância máxima entre os dedos neste dicionário a três casas. Num

outro trabalho mais completo já em andamento, abrangeremos até seis casas com grandes

aberturas para violonistas profissionais.

Até lá , bons estudos e muita prática.

Nunca desista de seus sonhos

Pratique os campos harmônicos até decorá-los.





C (Em(#5)/C )




C# (Fm(#5)/C, G#4,6/C# (no3)(no5) )




D ( F#m(#5)/D )




D# ( Gm(#5)/D )




E ( G#m(#5)/E )




F (Am/(#5)/F)

Usandos os acordes a seguir, faça a seguinte progressão: E – B7 – G#m – B7 - C#m – Emaj7 –

Dmaj7 - G#m – A6, E6 – F# - C#7add11. Toque somente as cordas marcadas para tocar. As

cordas com o X não devem ser tocadas.




F# (A #m/(#5)/F#)

Lembre-se de fazer exercícios de alongamento e relaxamento antes dos exercícios. Nunca

continue a tocar se estiver sentindo dores nos nervos ou músculos. Pare, descanse e volte a

treinar. Não treine por infinitas horas seguidas todos os dias, antes, estabeleça um critério de

estudo com tempo definido. Antônio Carlos Martins, grande maestro e pianista, tido como o

melhor intérprete de Bach do século XX perdeu os movimentos dos dedos por excesso de

exercícios. Por isso, procure encontrar os acordes que soam melhor numa progressão

conhecida. Sempre dá pra fugir do cruzamento com a melodia. Para isso, faça harmonizações

usando outras dissonâncias utilizando acordes substitutos. Ex.: Adicione a 9, 6, 6/9, 7M, 7M(6),

7M(9) etc aos acordes e já terá resultados muito melhores do que ficar usando os mesmos

acordes repetidos o tempo todo. Ouse, mas não exagere e use sempre o bom senso e ouvidos.

G (Bm/(#5)/G)




G# (Cm(#5)/G)

A (C#m(#5)/A)




A# (Dm(#5)/A#)




B (D#m(#5)/B)




Cm (Gsus4/(#5)/C)




C#m (G#sus4/(#5)/C#)

Dm (Asus4/(#5)/D)




D#m (A#sus4/(#5)/D#)




Em (Bsus4/(#5)/E)




Fm (Csus4/(#5)/F)




F#m (C#sus4/(#5)/C#)

Gm (Dsus4/(#5)/G)




G#m (D#sus4/(#5)/G#)

Am (Esus4/(#5)/A)




A#m (Fsus4/(#5)/A#)

Bm (F#sus4/(#5)/B, Gbsus4/(#5)/B)




Cᵒ (Cdim, Aᵒ/C, Adim/C, Am5-/6/C, C5-/6, D#ᵒ/C, D#m5-/6/C, F#ᵒ/C, F#dim/C)




C#ᵒ (A#/dim/C#, A#ᵒ/C, C#m5-/6/C#, Eᵒ/C#, Edim/C#, Em5-/6/C#, Gdim/C#, Gᵒ/C#,

Gm5-/6/C#)




Dᵒ (Ddim, Dm5-/6, Bdim/D, Bm5-/6/D, Fdim/D, Fᵒ/D, G#dim/D, G#ᵒ/D)




D#ᵒ (D#dim, A/Dim/D#, Am5-/6/D, Cdim/D#, Cᵒ/D#, F#dim/D#, F#ᵒ/D#, F#5-/6/D)

Eᵒ (A#dim/E, A #ᵒ/E, C#dim/E, C#ᵒ/E, Em5-6, Gdim/E, Gᵒ/E)




Fᵒ (Bdim/F, Bᵒ/F, Bm5-/6/F, Ddim/F, Fm5-/6, Dᵒ/F, Dm5-/6/F, Gdim/F, Gᵒ/F, Gm5-/6/F)




F#ᵒ (Aᵒ/F#, Adim/F#, Am5-/6/F#, Cᵒ/F#, Cdim/F#, Cm5-/6/F#, D#ᵒ/F#, D#dim/F#, D#m5-

/6/F#, F#m5-/6)




Gᵒ (Gdim, Gm5-/6, A#ᵒ/G, A#dim/G, C#ᵒ/G, C#dim/G, C#m5-/6/G, Eᵒ/G, Edim/G, Em5-/6/G)

G# o(G#dim, G#m5-/6, Bᵒ/G#, Bdim/G#, Bm5-/6/G#, Dᵒ/G#, Ddim/G#, Dm5-/6/G#, Fᵒ/G#,

Fdim/G#, Fm5-/6/G#)




Aᵒ (Adim, Am5-/6, Cᵒ/A, Cdim/A, Cm5-/6/A, D#ᵒ/A, Ddim/A, Dm5-/6/A, F#ᵒ/A, F#dim/A,

F#m5-/6/A)




A#ᵒ (A#dim, Am5-/6, C#ᵒ/A#, C#dim/A#, C#m5-/6/A#, Eᵒ/A#, /Edim/A#, Em5-/6/A#, Gᵒ/A#,

Gdim/A#, Gm5-6/A#)




Bᵒ (Bdim, Bm5-/6, Dᵒ/B, Ddim/B, Dm5-/6/G, Fᵒ/B, Fdim/B, Fm5-/6/B, G#ᵒ/B, G#dim/B)

C+ (Caug, Caum, C(#5), E(#5)/C, G#(#5)/C) A quinta aumentada caracteriza o acorde aum.




C#aug, C#+ (A(#5)/C#, C#(#5), F(#5)/C#)

D+, Daug (Daum, D(#5), F#(#5)/D, A#(#5)/D)




D#+, D#aug (D#(#5), G(#5)/D#, B(#5)/D#)




E+, Eaug (E(#5), C(#5)/E, G#(#5)/E)

F+, Faug (F(#5), C#(#5)/F, A(#5)/F)




F#+, F#aug (F+, F#(#5), D(#5)/F#, A#(#5)/F#)

G+, Gaug (G(#5), D#(#5)/G, B(#5)/G)




G#+, G#aug (G#(#5), E(#5)/G#, C(#5)/G#)

A+, Aaug (A(#5), F(#5)/A, C#(#5)/A)




A#+, A#aug (A#(#5), F#(#5)/A#, D(#5)/A#)

B+, Baug (B(#5), G(#5)/B, D#(#5)/B)




C4 (Cadd4, Csus4, C11, Cadd11 (no3) )




C#4 (C#sus4)

D4 (Dsus4)




D#4 (D#sus4)

E4




F4

F#4

G4




G#4

A4




A#4




B4

C4+ (C11+)




C#4+

D4+




D#4+

E4+




F4+

F#4+

G4+




G#4+

A4+




A#4+

B4+




C5- C(b5)

C#5- C#(b5)




D5- D(b5)

D#5- D#(b5)




E5- E(b5)




F5- F(b5)

F#5- F#(b5)

G5- G(b5)




G#5- G#(b5)




A5- A(b5)

A#5- A#(b5)




B5- B(b5)




C5

C#5




D5

D#5

E5




F5

F#5

c




G#5

A5

A#5




B5

C6-(Em(#5)/C, G#(#5)/7M/C)




C#6-(Fm(#5)/C#, A(#5)/7M/C#)

D6- (F#m(#5)/D, A#/(#5)/7M/D)




D#6- (B(#5)/7M/D#, Gm(#5)/D#)




E6- (C(#5)/7M/E, G#(#5)/E)




F6- (Am(#5)/F, C#(#5)/7M/F)

F#6- (A #(#5)/F#, C#(#5)/7M/F#)

G6- (Bm(#5)/G, D#(#5)/7M/G)




G#6- (Cm(#5)/G#, E(#5)/7M/G#)

A6- (C#m(#5)/A, F(#5)/7M/A)




A#6- (Dm(#5)/A#, F#(#5)/7M/A#)

B6- (D#m(#5)/B, G(#5)/7M/B)

C6 (C13, Am7/C, Cadd13, Em(#5)/4/C)




C#6 (C#13, A#m6M/C#, Fm(#5)/4/C#)

D6 ( D13, Bm6M/D, F#m(#5)/4/D)




D#6 (D#13, Cm6M/D#, Cm7/D#, Gm(#5)/4/D#)




E6 (E13, C#m6M/E, C#m7/E, Eadd13, G#m(#5)/4/E)




F6 (F13, Am(#5)/4/F, Dm6M/F, Dm7/F)

F#6 (F#13, A#m(#5)/4/F#, D#m6M/F#, D#m6+/F#, D#m7/F#)

G6 (G13, Bm(#5)/4/G, Em6+/G, Em6M/G, Em7/G)




G# (G#13, Cm(#5)/4/G#, Fm6+/G#, Fm7/G#)




A6 (A13, C#m(#5)/4/A, F#m6+/A, F#m7/A)




A#6 (A#13, Dm(#5)/4/A#, Gm6+/A#, Gm7/A#)




B6 (B13, D#m(#5)/4/B, G#m6+/B, G#m7/B)

C7 (C6+, C13+, Cadd13+, Em5-/6-/C)




C#7 (C#6+, C#add13+, Fm5-/6-/C#)




D7 (D6+, Dadd13+, F#m5-/6-/D)

D#7 (D#6+, D#add13+, Gm5-/6-/D#)




E7 (E6+, Eadd13+, G#m5-/6-/E)




F7 (F6+, Fadd13+, Am5-/6-/F)

F#7 (F#6+, F#add13+, A#m5-/6-/F#)




G7 (G6+, Gadd13+, Bm5-/6-/G)




G#7 (G#6 +, G#add13+, Cm5-/6-/G#)

A7 (A6+, Aadd13+, C#m5-/6-/A)




A#7 (A#6+, A#add13+, Dm5-/6-/A#)




B7 (B6+, Badd13+, D#5-/6-/B)

Cm7 (Cm6+, D#6/C, Gm(#5)/4/C)




C#m7 (C#m6+, E6/C#)




Dm7 (Am(#5)/4/D, Dm6+, F6/D)




D#m7 (D#m6+, F#6/D#, A#m(#5)/4/D#, D#add13+, F#add13+/D#)




Em7 (Em6+, Bm(#5)/4/E, G6/E)




Fm7 (Fm6+, G#6/F, Cm(#5)/4/F)

F#m7 (F#m6+, A6/F#, C#m(#5)/4/F#)




Gm7 (Gm6+, A#6/G, Dm(#5)/4/G)




G#m7 (G#m6+, B6/G#, D#m(#5)/4/G#)

Am7 (Am6+, C6/A, Em(#5)/4/A)




A#m7 (A#m6+, C#6/A#, Fm(#5)/4/A#)

Bm7 (Bm6+, D6/B, F#m(#5)/4/B)




C(#5), C5+ (C/(#5), E(#5)/C, G#(#5)/C) – A (quinta aumentada) (#5) caracteriza os acordes

aumentados. Vide C+, Caug, Caum.

C#(#5), C5+ (A(#5)/C#, F(#5)/C#)

D(#5), D5+ (A#(#5)/D, F#(#5)/D)

D#(#5), D#5+ (B(#5)/D#, G#(#5)/D#)

E(#5), E5+ (C(#5)/E, G#(#5)/E)

F(#5), F5+ (A(#5)/F, C#(#5)/F)

F#(#5), F#5+ (A#(#5)/F#, D(#5)/F#)

G(#5), G5+ (B(#5)/G, D#(#5)/G)

G#(#5), G#5+ (C(#5)/G#, E(#5)/G#)

A(#5), A5+ (C#(#5)/A, F(#5)/A)

A#(#5), A #5+ (D(#5)/A, F#(#5)/A#)

B(#5), B5+ (D#(#5)/B, G(#5)/B)




C7M (C7+, Em6-/C)




C#7M (C#7+, Fm6-/C#)

D7M (D7+, F#m6-/D)




D#7M (D#7+, Gm6-/D#)




E7M (E7+, G#m6-/E)




F7M (F7+, Am6-/F)




F#7M (F#7+, A#m6-/F#)

G7M (G7+, Bm6-/G)




G#7M (G#7+, Cm6-/G#)




A7M (A7+, C#m6-/A)




A#7M (A#7+, Dm6-/A)B7M(D#m6-/B)




B7M (B7+, D#m6-/B)

C7/4 (C4/7, C7/11, C11/4, C11/7, C4/6+)




C#7/4 (C#4/7, C#7/11, C#11/4, C#11/7, C#4/6+)

D7/4 (D4/7, D7/11, D11/4, D11/7, D4/6+)

D#7/4 (D#4/7, D7/11, D#11/4, D#11/7, E4/6+)

E7/4 (E4/7, E7/11, E11/4, E11/7, E4/6+)




F7/4 (F4/7, F7/11, F11/4, F11/7, F4/6+)




F#7/4 (F#4/7, F#7/11, F#11/4, F#11/7, F#4/6+)

G7/4 (G4/7, G7/11, G11/4, G11/7, G4/6+)

G#7/4 (G#4/7, G#7/11, G#11/4, G#11/7, G#4/6+)




A7/4 (A4/7, A7/11, A11/4, A11/7, A4/6+)

A#7/4 (A#4/7, A#11/4, A#11/7, A#4/6+)

B7/4 (B4/7, B7/11, B11/4, B11/7, B4/6+)

C7/9 (C9/7, Em5-/6-/7/C, Gm4/6/C)




C#7/9 (C#9/7, Fm5-/6-/7/C#, G#m4/6/C#)

D7/9 (D9/7, Am4/6/D, F#m5-/6-/7/D)

D#7/9 (D#9/7, A#m4/6/D#, Gm5-/6-/7/D#)




E7/9 (E9/7, Bm4/6/E, G#m5-/6-/7/E)




F7/9 (F9/7, Am5-/6-/7/F, Cm4/6/F)

F#7/9 (F#9/7, A#m5-/6-/7/F#)

G7/9 (G9/7, Bm5-/6-/7/G, Dm4/6/G)




G#7/9 (G#9/7, Cm5-/6-/G#, D#m4/6/G#)

A7/9 (A9/7, Em4/6/A, C#m5-/6-/7/A)

A#7/9 (A#9/7, Fm4/6/A, Dm5-/6-/7/A)




B7/9 (B9/7, D#m5-/6-/7/B, F#m4/6/B)

C7/sus4 (Csus4/7, Csus4/6+)




C#7/sus4

D7/sus4




D#7/sus4

E7/sus4




F7/sus4




F#7/sus4




G7/sus4

G#7/sus4




A7/sus4




A#7/sus4




B7/sus4




C9 (Em(#5)/6M/C, Em(#5)/7/C, Gsus4/6/C)




C#9 (Fm(#5)/6+/C#, Fm(#5)/6M/C#, Fm(#5)/7/C#, Gsus4/6/C#)




D9




D#9 (F#m(#5)/6+/D, F#m(#5)/7/D)

E9 (G#m(#5)/6+/E, G#m(#5)/7/E)




F9 (Am(#5)/6+/F, Am(#5)/7/F, Csus4/6/F)




F#9 (A#m(#5)/6+/F#, Am(#5)/7/F#, C#sus4/6/F#)

G9 (Bm(#5)/6+/G, Bm(#5)/7/G, Dsus4/6/G)




G#9 (Cm(#5)/6+/G#, Cm(#5)/7/G#, Dsus4/6/G#)




A9 (C#m(#5)/6+/A, C#m(#5)/7/A, Esus4/6/A)




A#9 (Dm(#5)/6+/A#, Dm(#5)/7/A#, Fsus4/6/A#)

B9 (D#m(#5)/6+/B, D#m(#5)/7/B, F#sus4/6/B)

C11 (C/4, Cadd11)




C#11

D11(Dsus11, D/4)




D#11

E11




F11

F#11

G11




G#11

A11




A#11




B11

C13 (C6, Am7/C, Am6M/C, Em(#5)/4/C)

C#13 ou Db13 (A#m7/C#, Bbm7/Db, Fm(#5)/4/C#, C#6, Db6)

D13 (D6, Bm7/D, F#m(#5)/4/D)

D#13 ou Eb14 (D#6, Eb6, Cm6+/D#, Cm7/D#, Gm(#5)/4/D#)

E13 (E6, C#m6M/E, Dbm6M/E, Dbm7/E, C#m7/E, G#m(#5)/4/E, Ab m(#5)/4/E)

F13 (F6, Dm6+/F, Dm7/F)

F#13 (A#m(#5)/4/F#, Bbm(#5)/4/F#, D#m6+/F#, Eb m6+/F#, D#m7/F#, Eb m7/F#)

G13 (G6, Bm(#5)/4/G, Em6+/G, Em7/G)

G#13 (G#6, Ab6, Cm(#5)/4/G#, Fm6+/G#, Fm7/G#)

A#13 (A#6, Bb6, Dm(#5)/4/A#, Gm6+/A#, Gm7/A#

B13 (B6, G#6+/B, Ab6, G#m7/B, Abm7/B)




C7/9/11 (Gm4/6/7/C)

C#7/9/11 (G#m4/6/7/C#)

D7/9/11 (Am4/6/7/D)

D#7/9/11 ((A#m4/6/7/D#)

E7/9/11 (Bm4/6/7/E)

F7/9/11 (Cm4/6/7/F)




F#7/9/11 (C#m4/6/7/F#

G7/9/11 (Dm4/6/7/G)

G#7/9/11 (D#m4/6/7/G#)

A7/9/11 (Em4/6/7/A)

A#7/9/11 (Fm4/6/7/A#)

B7/9/11 (F#m4/6/7/B)

C7/13 (C6/7, Em5-/4/6-/C)




C#7/13 (C#6/7, Fm5-/4/6-/C#)

D7/13 (D6/7, F#m5-/4/6-/D)

D#7/13 (D#6/7, Gm5-/4/6-/D#)

E7/13 (E6/7, G#m5-/4/6-/E)




F7/13 (F6/7, Am5-/4/6-/F)

F#7/13 (F#6/7, A#m5-/4/6-/F#)

G7/13 (G6/7, Bm5-/4/6-/G)




G#7/13 (G#6/7, Cm5-/4/6-/G#)

A7/13 (A6/7, C#m5-/4/6-/A)

A#7/13 (A#6/7, Dm5-/4/6-/A#)




B7/13 (B6/7, D#)m5-/4/6-/B)

Cm(7M) (Cm/7+, D#(#5)/6/C, G(#5)/4/C)

C#m(7M) C#m/7+ , E(#5)/6/C#, G#(#5)/6)




Dm(7M) (Dm7+, A/(#5)/4/D, F(#5)/6/D)




D#m(7M) (D#m/7+, A#(#5)/4/D#, F#(#5)/6/D#

Em(7M) (Em/7+, B(#5)/4/E, G(#5)/6/E)




Fm(7M) (Fm7+, C(#5)/4/F, G#(#5)/6/F)

F#m(7M) (Fm7+, A/(#5)/6/F#, C#(#5)/4/F#)




Gm(7M) (Gm/7+, A#(#5)/6/G, D(#5)/4/G)

G#m(7M) (G#m7+, B(#5)/6/G#, D#(#5)/4/G#)




Am(7M) (Am7+, C(#5)/6/A, E(#5)/4/A)




A#m(7M) (A#m7+, C#(#5)/6/A#, F(#5)/4/A#)

Bm(7M) (Bm7+, D(#5)/6/B, F#(#5)/4/B)




C9/13 (C6/9, Cadd9/6, Am4/7/C, Em(#5)/4/7/C)




C#9/13 (C#6/9, Db6/9, Db9/13, A#m4/7/C#, Fm(#5)/4/7/C#, Bbm4/7/Db, Fm(#5)/4/6+/Db,

Fm(#5)/4/7/Db)

D9/13 (D6/9, Bm4/7/D, F#m(#5)/4/7/D)

D#9/13 (D#6/9, Eb6/9, Eb9/13, Cm4/7/D, Gm(#5)/4/7/D#)




E9/13 (E6/9, C#m4/7/E, G#m(#5)/4/7/E)

F9/13 (F6/9, Dm4/7/F, Am(#5)/4/7/F)




F#9/13 (F#6/9, Gb6/9, Gb9/13, A#m(#5)/4/7/F#, D#m4/7/F#)

G9/13 (G6/9, Bm(#5)/4/7/G, Em4/7/G, Em4/6+/G)




G#9/13 (G#6/9, Ab6/9, Cm(#5)/4/7/G, Fm4/7/G)

A9/13 (A6/9, C#m(#5)/4/7/A, F#m4/7/A)

A#9/13(A6/9, Bb6/9, Bb9/13, Dm(#5)/4/7/A#, Gm4/7/A#)

B9/13 (B6/9, G#m4/7/B, D#m(#5)/4/7/B)




Como pode ser observado, o acorde de 9/13 pode ser representado pelos acordes de

m(#5)/4/7 e m4/7, bastando para isso adicionar a terça para o acorde m(#5)/4/7 ou a sexta

para o acorde de m4/7, adicionando também o baixo (que é a letra do acorde de 9/13) para

ambas as alternativas após a 7. Ex: A#9/13. Temos o baixo que será o A# e a terça nota da

escala de A# que é o D, no caso do acorde m(#5)/4/7 e o G que é a sexta para o acorde m4/7,

ficando então: Dm(#5)/4/7/A# e Gm4/7/A#.

C(9,b13) – E/Cm(#5)/7

C#(#9, b13) - Db(#9, b13), C#m6-, Fm(#5)/7M/C#

D(#9, b13) – Dm6–, F#m(#5)7M/D

D#((#9), b13) – Eb9/b13, D#m6-, B6-/7M/D#, Gm(#5)/7M/D#




E((#9), b13) – C6-/7M/E, Em6-, G#m(#5)/7M/E

F(#9)/b13 – Fm6-, Am(#5)/7M/F, C#6-/7M/F

F#(#9)/b13 – Gb9/b13, F#m6-, A#m(#5)/F+/F#, D6-/7M/F

G(#9)/b13 = Gm6-, Bm(#5)/7M/G, D#6-/7M/G

G#(#9)/b13 - Ab9/b13, G#m6-, Cm(#5)/7M/G#, E6-/7M/G#




A(#9)/b13 = Am6-, C#m(#5)/7M/A, F6-/7M/A

A#(#9)/b13 - Bb9/b13, A#m6, Dm(#5)/7M/A#, F#6-/7M/A#

B(#9)/b13 = Bm6-, D#m(#5)/7M/B, G6-/7M/B

C6/9 =C9/13, Am4/6+/C, Am4/7/C, Em(#5)/4/7/C

C#6/9 = C#9/13, Db9/13, A#m4/7/C#, Bbm4/7/Db, Fm(#5)/4/7/C#

D6/9 = D9/13, Bm4/7/D, F#(#5)/4/7/D

D#6/9 = D#9/13, Eb9/13, Cm4/7/D, Gm(#5)/4/7/D

E6/9 = E9/13, C#m4/7/E, Dbm4/7/E, G#m(#5)/4/7/E, Abm(#5)/4/7/E

F6/9 = F9/13, Am(#5)/4/7/F, Dm4/7/F

F#6/9 = F#9/13, Gb9/13, A#m(#5)/4/7/F#, D#m4/7/F#

G6/9 = G9/13, Bm(#5)/4/7/G, Em4/7/G

G#6/9 = G#9/13, Ab9/13, Cm(#5)/4/7/G#, Fm4/7/G#

A6/9 = A9/13, C#m(#5)/4/7/A, Db m(#5)/4/7/A, F#m4/7/A, Gb m4/7/A

A#6/9 = A#9/13, Bb9/13, Dm(#5)/4/7/A#, Gm4/7/A#

B6/9 =B9/13, D#(#5)/4/7/B, Eb(#5)/4/7/B, G#m4/7/B, Ab m4/7/B

C6/(#9) C6/9+, Bm6, Gm4+/7/B




C#6/(#9) C#6/9+, Db6/(#9), Db6/9+, C#m6, Fm(#5)/4/7M/C#

D6/(#9) Dm6, F#m(#5)/4/7M/D

D#6/(#9) D#m6, Cm4+/7/D#

6/(#9) Em6, C#m4+/7/E




F6/(#9) Fm6, Dm4+/7/F

F#6/(#9) F#m6, D#m4/7/F#

G6/(#9) Gm6, Em4+/7/G




G#6/(#9) G#m6, Fm4+/7/G#, Cm(#5)/4/7M/G

A6/(#9) Am6, F#m4+/A

A#6/(#9) A#m6, Gm/4+/7/A#

B6/(#9) Bm6, Gm4+/7/B

C/E




C/F

C/F#




C/G




C/G# - C/Ab




C/A




C/A# - C/Bb




C/B




C/C# - C/Db




C/D




C/D#

C#/C ou Db/C




C#/D

C#/E




C#/D#




C#/E

C#/F




C#/F#

C#/G

C#/G#




C#/A

C#/A#




C#/B

D/C




D/C#

D/Eb




D/E




D/F




D/F#

D/G




D/G#




D/A




D/A# ou D/Bb

D/B




D#/C




D#/C#




D#/D

D#/E




D#/F

D#/F#




D#/G

D#/G#




D#/A

D#/A#




D#/B




E/C




E/C#




E/D




E/D#




E/F




E/F#

E/G




E/G#




E/A




E/A#




E/B




F/C




F/C#

F/D




F/D#




F/E




F/F# ou F/Gb




F/G




F/G#

F/A




F/A#




F/B

F#/C

F#/C#




F#/D

F#/D#




F#/E




F#/F

F#/G




F#/G#

F#/A




F#/A#

F#/B

G/C




G/C#




G/D




G/D#




G/E




G/F




G/F#




G/G# ou G/Ab




G/A




G/A#




G/B




G#/C

G#/C#

G#/D

G#/D#




G#/E




G#/F

G#/F#

G#/G




G#/A

G#/A#




G#/B

A/C




A/C#

A/D




A/D#




A/E




A/F

A/F#




A/G

A/G#




A/A# ou A/Bb




A/B




A#/C




A#/C#

A#/D




A#/D#

A#/E




A#/F




A#/F#

A#/G




A#/G#




A#/A

A#/B




B/C




B/C#

B/D




B/D#

B/E




B/F

B/F#




B/G

B/G#




B/A

B/A#

Cm/C#




Cm/D




Cm/D#

Cm/E




Cm/F

Cm/F#




Cm/G

Cm/G#




Cm/A

Cm/A#




Cm/B

C#m/C

C#m/D




C#m/D#




C#m/E




C#m/F




C#m/F#

C#m/G




C#m/G#




C#m/A




C#m/A#




C#m/B

Dm/C




Dm/C#

Dm/D#




Dm/E




Dm/F




Dm/F#

Dm/G




Dm/G#




Dm/A

Dm/A#




Dm/B




D#m/C

D#m/C#




D#m/D

D#m/E




D#m/F

D#m/F#

D#m/G

D#m/G#




D#m/A

D#m/A#




D#m/B

Em/C




Em/C#

Em/D




Em/D#




Em/F




Em/F#




Em/G

Em/G#




Em/A




Em/A#




Em/B

Fm/C




Fm/C#

Fm/D




Fm/D#

Fm/E




Fm/F#

Fm/G

Fm/G#

Fm/A

Fm/A#

Fm/B

F#m/C




F#m/C#

F#m/D

F#m/D#

F#m/E

F#m/F

F#m/G

F#m/G#




F#m/A

F#m/A#

F#m/B

Gm/C




Gm/C#

Gm/D

Gm/D#




Gm/E

Gm/F

Gm/F#

Gm/G# ou Gm/Ab




Gm/A

Gm/A#

Gm/B

G#m/C




G#m/C#

G#m/D

G#m/D#

G#m/E

G#m/F

G#m/F#




G#m/G – G#m7+

G#m/A

G#m/A#

G#m/B

Am/C – Esus4(#5)C

Am/C#




Am/D

Am/D#

Am/E




Am/F

Am/F#

Am/G

Am/G# ou Am/Ab




Am/A# ou Am/Bb

Am/B

A#m/C

A#m/C#




A#m/D

A#m/D#

A#m/E

A#m/F




A#m/F#

A#m/G




A#m/G#

A#m/A




A#m/B

Bm/C




Bm/C#

Bm/D




Bm/D#

Bm/E




Bm/F

Bm/F#

Bm/G




Bm/G#

Bm/A

Bm/A#




C(#9)/13+ ( Cm7, Cm6+, Em5-/6-/7M/C, G(#5)/4/6/C)

C#(#9)/13+ ( C#m7, C#m6+, Fm5-/6-/7M/C#, G#(#5)/4/6/C#)

D(#9)/13+

D#(#9)/13+

E(#9)/13+




F(#9)/13+

F#(#9)/13+




G(#9)/13+

G#(#9)/13+

A(#9)/13+

A#(#9)/13+ = A#m7

B(#9)/13+ = Bm7, Bm6+




C7/b9 (C7/9-, Gᵒ4/C, Fm4+/6/C)

C#7/9- C#7/b9

D7/9- D7/b9

D#7/9- D#7/b9




E7/9- E7/b9




F7/9- F7/b9

F#7/9- F#7/b9

G7/9- G7/b9




G#7/9- G#7/b9

A7/9- A7/b9

A#7/9- A#7/b9

B7/9- B7/(b9)

Cm5/A (Am7 (no 5), C6 (no 3))




C#m5/A# (A#m7 (no 5), C#6 (no 3))

C7/sus4




C#7/sus4

D7/sus4




D#7/sus4

E7/sus4




F7/sus4

F#7/sus4




G7/sus4

G#7/sus4

A7/sus4




A#7/sus4

B7/sus4

Csus9




C#sus9

Dsus9

D#sus9




Esus9

Fsus9

F#sus9




Gsus9

G#sus9

Asus9




A#sus9

Bsus9

Cm7/5- ( Cm7(b5), D#m6/C, Ebm6/C)




C#m7/5- (C#m7(b5), Em6/C#, Em6/Db)

Dm7/5- (Dm7(b5), Fm6/D )




D#m7/5- D#m7(b5), F#m6/D#, F#m6/Eb, Gbm6/D#, Gbm6/Eb)

Em7/5- (E m7(b5), Gm6/E)




Fm7/5- (F m7(b5), G#m6/F, Abm6/F)

F#m7/5- (F# m7(b5), Am6/F#, Am6/Gb)

Gm7/5- (G m7(b5), A#m6/G, Bbm6/G)




G#m7/5- (G#m7(b5), Bm6/G#, Bm6/Ab)

Am7/5- (Am7(b5), Cm6/A)

A#m7/5- (A# m7(b5), C#m6/A#, C#m6/Bb, Dbm6/A#, Dbm6/Bb)

Bm7/5- (B m7(b5), Dm6/B)




C7/b13

C#7/b13

D7/b13

D#7/b13

E7/b13




F7/b13

F#7/b13 ou Gb7/b13

G7/b13




G#/b13

A7/b13

A#7/b13




B7/b13

C9/E




C#9/F

D9/F#




D#9/G

E9/G#




F9/A

F#9/Bb

G9/B




G#9/C

A9/C#




A#9/D

B9/D#

C7/9/E




C#7/9/F

D7/9/F#




D#7/9/G

E7/9/G#

F7/9/A




F#7/9/A#

G7/9/B




G#7/9/C

A7/9/C#

A#7/9/D




B7/9/C#

Cm7/9/F

C#m7/9/F#




Dm7/9/G

D#m7/9/G#

Em7/9/A




Fm7/9/A#

F#m7/9/B

Gm7/9/C

G#m7/9/C#




Am7/9/D

A#m7/9/D#

Bm7/9/E




C13/b5/b9

C#13/b5/b9




D13/b5/b9

D#13/b5/b9




E13/b5/b9

F13/b5/b9




F#13/b5/b9

G13/b5/b9

G#13/b5/b9




A13/b5/b9

A#13/b5/b9




B13/b5/b9

C13/b9

C#13/b9

D13/b9

D#13/b9




E13/b9




F13/b9

F#13/b9

G13/b9

G#13/b9

A13/b9




A#13/b9

B13/b9

C7(#5)/b9, C7/5+/9-

Db7(#5)b9, Db7/5+/9-, C#7/5+/9-




D7(#5)b9, D7/5+/9-

Eb7(#5)b9, Eb7/5+/9-, D#7/5+/9-

E7(#5)b9, E7/5+/9-




F7(#5)b9, F7/5+/9-

Gb7(#5)b9 (Gb7/5+/9-, F#7/5+/9-)




G7(#5)b9 (G7/5+/9-)

Ab7(#5)b9, Ab7/5+/9-, G#7/5+/9-

A7(#5)b9 ou A7/5+/9-

Bb7(#5)b9 Bb7/5+/9-, A#7/5+/9-




C9/C#, Em5+/6/7/C#




C9/D, Em5+/7/D




C9/D#, Em5+/7/D#

C9/E, Em5+/7




C9/F,




C9/F#




C9/G




C9/G#

C9/A




C9/A#

C9/B




Cm/6

C#m/6

Dm/6




D#m/6

Em/6




Fm/6

F#m/6

Gm/6




G#m/6

Am/6

A#m/6




Bm/6

C7+/9

C#7+/9

D7+/9




D#7+/9

E7+/9

F7+/9




F#7+/9

G7+/9

G#7+/9

A7+/9




A#7+/9

B7+/9

C7+/11

C#7+/11

D7+/11




D#7+/11

E7+/11

F7+/11

F#7+/11




G7+/11

G#7+/11

A7+/11

A#7+/11

B7+/11




C7/b5

Db7/b5 ou C#7/b5

D7/b5

Eb7/b5




E7/b5

F7/b5

Gb7/b5

G7/b5

Ab7/b5




A7/b5

Bb7/b5

B7/b5

Cm11




C#m/11

Dm/11




D#m/11

Em/11




Fm/11

F#m/11

Gm/11




G#m/11

Am/11




A#m/11

Bm/11

Cm6/9




C#m/6/9

Dm/6/9

D#m/6/9




Em/6/9




Fm/6/9

F#m/6/9

Gm/6/9




G#m/6/9

Am/6/9

A#m/6/9

Bm/6/9

Cm/11/b5




C#m/11/b5

Dm/11/b5




D#m/11/b5

Em/11/b5




Fm/11/b5

F#m/11/b5




Gm/11/b5

G#m/11/b5




Am/11/b5

A#m/11/b5

Bm/11/b5




C7(#5)(#9), C7/5+/9+, Cm5+/7

C#7(#5)#9, C#7/5+/9+, C#m5+/7




D7/5+/9+ ou D7(#5)(#9), Dm5+/7

D#7/5+/9+ ou D#7(#5)(#9), D#m5+/7

E7/5+/9+ ou E7(#5)(#9), Em5+/7




F7/5+/9+ ou F7(#5)(#9), Fm5+/7

F#7/5+/9+ ou F#7(#5)(#9), F#m5+/7




G7/5+/9+ ou G7(#5)(#9), Gm5+/7

G#7/5+/9+ ou G#7(#5)(#9), G#m5+/7

A7/5+/9+ ou A7(#5)(#9), Am5+/7

A#7/5+/9+ ou A#7(#5)(#9), A#m5+/7

B7/5+/9+ ou B7(#5)(#9), Bm5+/7




C7/11/5-

C#7/11/5-

D7/11/5-

D#7/11/5-

E7/11/5-




F7/11/5-

F#7/11/5-

G7/11/5-

G#7/11/5-

A7/11/5-




A#7/11/5-

B7/11/5-

Cº/b13

C#º/b13




Dº/b13

D#º/b13

Eº/b13

Fº/b13

F#º/b13




Gº/b13

G#º/b13

Aº/b13

A#º/b13




Bº/b13

Cm/11/5-

C#m/11/5-




Dm/11/5-

D#m/11/5-

Em/11/5-




Fm/11/5-

F#m/11/5-

Gm/11/5-

G#m/11/5-




Am/11/5-

A#m/11/5-




Bm/11/5-




Cm5+/11

C#m5+/11




Dm5+/11

D#m5+/11




Em5+/11




Fm5+/11

F#m5+/11




Gm5+/11




G#m5+/11




Am5+/11




A#m5+/11

Bm5+/11




Cm9

C#m/9




Dm/9

D#m/9

Em/9




Fm/9




F#m/9

Gm/9

G#m/9

Am/9




A#m/9

Bm/9




Cm7/E

Cm7/C#

Cm7/D




Cm7/D#

Cm7/F

Cm7/F#




Cm7/G

Cm7/G#

Cm7/A




Cm7/A#

Cm7/B

Cm7/C#

Cm7/D




C#m7/C

C#m7/D




C#m7/D#

C#m7/E




C#m7/F

C#m7/F#




C#m7/G

C#m7/G#




C#m7/A

C#m7/A#

C#m7/B




Dm7/C

Dm7/C#




Dm7/D#

Dm7/E

Dm7/F




Dm7/F#

Dm7/G

Dm7/G#




Dm7/A

Dm7/A#




Dm7/B

D#m7/C

D#m7/C#

D#m7/D




D#m7/E

D#m7/F

D#m7/F#




D#m7/G

D#m7/G#




D#m7/A

D#m7/A#




D#m7/B

Em7/C




Em7/C#




Em7/D




Em7/D#

Em7/F

Em7/F#




Em7/G




Em7/G#




Em7/A




Em7/A#




Em7/B




Fm7/C

Fm7/C#




Fm7/D

Fm7/D#

Fm7/E




Fm7/F#

Fm7/G

Fm7/G#

Fm7/A




Fm7/A#

Fm7/B

F#m7/C

F#m7/C#




F#m7/D

F#m7/D#




F#m7/E




F#m7/F

F#m7/G




F#m7/G#

F#m7/A




F#m7/A#

F#m7/B




Gm7/C

Gm7/C#

Gm7/D




Gm7/D#

Gm7/E




Gm7/F

Gm7/F#




Gm7/G#

Gm7/A




Gm7/A#

Gm7/B




G#m7/C

G#m7/C#

G#m7/D

G#m7/D#




G#m7/E

G#m7/F




G#m7/F#

G#m7/G

G#m7/A

G#m7/A#




G#m7/B

Am7/C




Am7/C#




Am7/D

Am7/D#




Am7/E




Am7/F

Am7/F#

Am7/G




Am7/G#




Am7/A# ou Am7/Bb

Am7/B

A#m7/C




A#m7/C#

A#m7/D

A#m7/D#

A#m7/E




A#m7/F

A#m7/F#

A#m7/G

A#m7/G#




A#m/7

A#m7/B

Bm7/C

Bm7/C#




Bm7/D

Bm7/D#




Bm7/E




Bm7/F

Bm7/F#




Bm7/G

Bm7/G#

Bm7/A




Bm7/A# ou Bm6+/7+

Cm7/9




C#m7/9

Dm7/9

D#m7/9

Em7/9




Fm7/9

F#m7/9

Gm7/9

G#m7/9

Am7/9




A#m7/9

Bm7/9

Caug/7 ( C5+/7, C(#5)/7, E5-/6-/C)




C#aug/7

Daug/7

D#aug/7




Eaug/7




Faug/7

F#aug/7




Gaug/7




G#aug/7

Aaug/7




A#aug/7

Baug/7

Cm/13- (Cm6-, G#7+/C, G#7M/C, Ab7+/C, Ab7M/C)




Dbm/13- (C#m6-, A7+/C#, A7+/Db)




Dm/13-

Ebm/13- (D#m6-, B7+/D#)




Fm/13-

F#m/13-

Gm/13-




Abm/13-




Am/13-




Bbm/13- ou Bbm(b13), Bbm6-

Cm13




Dbm/13




Dm/13




Ebm/13

Em/13




Fm/13

Gbm/13

Gm/13




Abm/13




Am/13




Bbm/13 (Bbm6, A#m6, A#m13)

Bm/13 (Bm6)




C7+/9- (C7M(b9))

Db7+/9- (D7M(b9) C#7+/9-)

D7+/9-

Eb7+/9-




E7+/9-




F7+/9-

Gb7+/9-

G7+/9-

Ab7+/9-




A7+/9-

Bb7+/9-

B7+/9-

C4/7/9

C#4/7/9

D4/7/9




D#4/7/9

E4/7/9

F4/7/9

F#4/7/9

G4/7/9

G#4/7/9




A4/7/9

A#4/7/9

B4/7/9

C4+/7/9

C#4+/7/9

D4+/7/9

D#4+/7/9




E4+/7/9

F4+/7/9

F#4+/7/9

G4+/7/9

G#4+/7/9

A4+/7/9

A#4+/7/9




B4+/7/9

C4+/7+/9

C#4+/7+/9

D4+/7+/9

D#4+/7+/9

E4+/7+/9

F4+/7+/9




F#4+/7+/9

G4+/7+/9

G#4+/7+/9

A4+/7+/9

A#4+/7+/9

B4+/7+/9

C4/C#




C4/D

C4/D#

C4/E




C4/F




C4/F#

C4/G




C4/G#

C4/A




C4/A#




C4/B

C4+/C#




C4+/D




C4+/D#

C4+/E




C4+/F

C4+/F#




C4+/G




C4+/G#

C4+/A




C4+/A#

C4+/B




C#4+/C

C#4+/D




C#4+/D#

C#4+/E




C#4+/F

C#4+/F#

C#4+/G




C#4+/G#

C#4+/A




C#4+/A#

C#4+/B




D4+/C

D4+/C#

D4+/D#

D4+/E




D4+/F

D4+/F#




D4+/G

D4+/G#




D4+/A




D4+/A#

D4+/B

D#4+/C




D#4+/C#

D#4+/E




D#4+/F




D#4+/F#

D#4+/G

D#4+/G#




D#4+/A




D#4+/A#




D#4+/B

E4+/C




E4+/C#

E4+/D

E4+/D#

E4+/F




E4+/F#

E4+/G

E4+/G#




E4+/A

E4+/A#




E4+/B




F4+/C




F4+/C#

C7/11+, C4+/6/7/A




C#7/11+

D7/11+

D#7/11+




E7/11+

F7/11+

F#7/11+

G7/11+




G#7/11+

A7/11+

A#7/11+

B7/11+




C11/b9

C#11/b9

D11/b9

D#11/b9

E11/b9




F11/b9

F#11/b9

G11/b9




G#11/b9

A11/b9

A#11/b9




B11/b9

Cadd9-

C#add9-




Dadd9-

D#add9-




Eadd9-




Fadd9-

F#add9-

Gadd9-




G#add9-




Aadd9-

A#add9-




Badd9-




Cm6/7+

C#m/6/7+

Dm/6/7+

D#m/6/7+

Em/6/7+




Fm/6/7+

F#m/6/7+

Gm/6/7+




G#m/6/7+

Am/6/7+

A#m/6/7+




Bm/6/7+

Cm7/9/b5

C#m7/9/b5

Dm7/9/b5

D#m7/9/b5




Em7/9/b5

Fm7/9/b5




F#m7/9/b5

Gm7/9/b5

G#m7/9/b5

Am7/9/b5

A#m7/9/b5

Bm7/9/b5

Dicionário de Acordes Curtos - cifradventista.comcifradventista.com/download/Teoria...

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