Noiva Despedaçada

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Artigo de Juliana Moraes sobre o solo Noiva Despedaçada, de Ricardo Iazzetta.

Transcript of Noiva Despedaçada

Page 1: Noiva Despedaçada

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Dança

AMOR, FRAGILIDADE E RIGIDEZ

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

+!,K1$ -+$ &3(+:$ "1(3!+$ -"$ ()1!+1$ 5+,+$ )$5=92%()$!)-+$+$"E!"&1@)$-+$#=1%(+$LM"131$+2"4,%+$-)1$?)#"&1N:$-"$O+(?7$B$A%)2<&(%+$-)$,%1()$"$+$1315"&1@)$

-+$ "15",+$ (,%+-)1$ 5"2)$ ()&!,+1!"$ -+1$-3+1$5,%#"%,+1$("&+1$&@)$1"$!),&+#$3#+$-%()!)#%+$5,"A%1'A"2$"$-%-K!%(+:$#+1$1%#$)1$2%#%!"1$-)$"15+;)0!"#5)$"#$>3":$&)1$PQ$#%&3!)1$1"43%&!"1:$G"!!+$#",432?+$-"$(),5)$()#52"!)$7$B$5";+$1"$-%A%-"$"#$(+5'!32)1$(3R)1$

!'!32)1$)$%&!H,5,"!"$A+%$&+,,+&-)$5+,+$+$52+!"%+S$LI)$23!)S$-)$#"3$23!)N:$LT+U"$&V$WS$1)9,"$)$+#),N:$LF)9,"$)$>3"$-+&;+$"#$#%#N:$LT+U"$&V$XS$&@)$!",$5+,+$)&-"$%,N:$LF)9,"$)$>3"$&@)$-+&;+$"#$#%#N$"$LF)9,"$+$),%4%&+2%-+-"$-)$>3"$"3$6+;)N7$Y1$L!+U"1N$134","#$+1$4,+A+;Z"1$-"$3#$filme, assim como a edição coreográfica +2%&?+A+$ L6,+4#"&!)1$ -"$ 3#$-%1(3,1)$+#),)1)N$ [()#)$ &)$ 2%A,)$ -"$*)2+&-$O+,!?"1\7$B)1$5)3()1:$A+#)1$R3&!+&-)$3#$ >3"9,+0(+9";+$ (3R+1$ 5";+1$ G"!!+$

&)1$ )6","("$ 5+,+$ >3"$ "&!,"A"R+#)1$ )$fundo a partir do qual se configura o -"15"-+;+#"&!)S$3#$13R"%!)$5+,+$>3"#$)1$#%!)1$"$,%!3+%1$-)$+#),$&@)$#+%1$1"$+5,"1"&!+#$ ()#)$5)11%9%2%-+-"1:$#+1$()#)$+,#+-%2?+1$"&,%R"(%-+17$

RITUAL PARTICULARF"$-%1(3,1)1$+,!'1!%()1$()&!,+$+$),4+&%/+0;@)$5,"1(,%!%A+$-)1$+6"!)1$"$-+$#),+2$1@)$()#3&1$&+$A)/$-"$#32?","1$"$#%&),%+1$?)#)]!,+&1"E3+%1:$#3%!)$#+%1$,+,)$H$!+2$>3"1!%)&+#"&!)$A%,$&+$A)/](),5)$-"$3#$?)#"#$?"!",)11"E3+27$J#$ "&!,"A%1!+$ +$!"#$%#&' (&' )$%*+,:$

Zetta afirma que o território de des05"-+;+#"&!)$ "E%1!"$ 5+,+$ L-%1(3!%,$ +1$5)11%9%2%-+-"1$-"$+#),$"$-+$"E%1!<&(%+N:$"$que tal território “cria um ritual próprio, 3#$5">3"&)$,%!3+2$5+,!%(32+,N:$RK$>3"$)1$)3!,)1$,%!3+%1$"1!+,%+#$"&,%R"(%-)17$^%!+$+%&-+$^)&!+,-)$^+22%4+,%1$ +)$ 6+2+,$ -+1$!,%A%+2%-+-"1$>3"$5",-3,+#7$J$()#52"0

Em Noiva Despedaçada, Ricardo Iazzetta mergulha em paisagem quebradiça para tentar salvar os afetos dos rituais rígidos

por Juliana Moraes

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Ricardo Iazzetta na coreografia Noiva Despedaçada. Clipe disponível em http://migre.me/1oh4A

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