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Obstacle 1I wish I could eat the salt off your lost faded lipsWe can cap the old times,make playing only logical harm
We can cap the old lines, make playing that nothing else will changeBut she can read, she can read, she can read, she can read, shes badShe can read, she can read, she can read, shes badOh, shes bad
But its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neck
And we can find new ways of living, make playing only logical harmAnd we can top the old times, clay making that nothing else will changeBut she can read, she can read, she can read, she can read, shes badShe can read, she can read, she can read, shes badOh, shes bad
Its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neckBut its different now that Im poor and aging, Ill never see this face again
And you go stabbing yourself in the neck
8/10/2019 Anlise Das Letras
2/131
Obstacle 1I wishI could eat the salt off your lost faded lipsWe can cap the old times,make playing only logical harm
We can cap the old lines, make playing that nothing else will changeBut she can read, she can read, she can read, she can read, shes badShe can read, she can read, she can read, shes badOh, shes bad
But its different now that Im poor and aging, Ill never see this face again
You go stabbing yourself in the neck
And we can find new ways of living, make playing only logical harmAnd we can top the old times, clay making that nothing else will changeBut she can read, she can read, she can read, she can read, shes badShe can read, she can read, she can read, shes badOh, shes bad
Its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neckBut its different now that Im poor and aging, Ill never see this face again
And you go stabbing yourself in the neck
8/10/2019 Anlise Das Letras
3/131
Obstacle 1I wishI could eat the salt off your lost faded lips
We can cap the old times,make playing only logical harmWe can cap the old lines, make playing that nothing else will changeBut she can read, she can read, she can read, she can read, shes badShe can read, she can read, she can read, shes badOh, shes bad
But its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neck
And we can find new ways of living, make playing only logical harmAnd we can top the old times, clay making that nothing else will changeBut she can read, she can read, she can read, she can read, shes bad
She can read, she can read, she can read, shes badOh, shes bad
Its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neckBut its different now that Im poor and aging, Ill never see this face again
And you go stabbing yourself in the neck
8/10/2019 Anlise Das Letras
4/131
Obstacle 1I wishI could eat the salt off your lost faded lips
We can cap the old times,make playing only logical harmWe can cap the old lines, make playing that nothing else will changeBut she can read, she can read, she can read, she can read, shes badShe can read, she can read, she can read, shes badOh, shes bad
But its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neck
And we can find new ways of living, make playing only logical harmAnd we can top the old times, clay making that nothing else will changeBut she can read, she can read, she can read, she can read, shes bad
She can read, she can read, she can read, shes badOh, shes bad
Its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neckBut its different now that Im poor and aging, Ill never see this face again
And you go stabbing yourself in the neck
8/10/2019 Anlise Das Letras
5/131
Paul Banks
Falo Espanhol e vivi no Mxico, onde o calo
inacreditvel. Aprendi duplos sentidos em vriaslnguas, e gosto de brincar com esse tipo de ideias.Erros gramaticais nas msicas, por exemplo.
Tenho feito isso desde o primeiro dia, usar o tempo
verbal errado, ou introduzir um non-sequiturnumafrase que, de resto, est bem construda. Uma pequenamudana no meio.
A ideia no apenas evocar uma reao escrita, maspr o leitor ou ouvinte a perguntar-sepor que o fiz. um processo de pensamento secundrio: no apenas oque digo, mas porque o digo deste modo.
8/10/2019 Anlise Das Letras
6/131
Paul Banks
Falo Espanhol e vivi no Mxico, onde o calo
inacreditvel. Aprendi duplos sentidos em vriaslnguas, e gosto de brincar com esse tipo de ideias.Erros gramaticais nas msicas, por exemplo.
Tenho feito isso desde o primeiro dia, usar o tempo
verbal errado, ou introduzir um non-sequiturnumafrase que, de resto, est bem construda. Uma pequenamudana no meio.
A ideia no apenas evocar uma reao escrita, maspr o leitor ou ouvinte a perguntar-sepor que o fiz. um processo de pensamento secundrio: no apenas oque digo, mas porque o digo deste modo.
8/10/2019 Anlise Das Letras
7/131
Paul Banks
Falo Espanhol e vivi no Mxico, onde o calo
inacreditvel. Aprendi duplos sentidos em vriaslnguas, e gosto de brincar com esse tipo de ideias.Erros gramaticais nas msicas, por exemplo.
Tenho feito isso desde o primeiro dia, usar o tempo
verbal errado, ou introduzir um non-sequiturnumafrase que, de resto, est bem construda. Uma pequenamudana no meio.
A ideia no apenas evocar uma reao escrita, maspr o leitor ou ouvinte a perguntar-sepor que o fiz. um processo de pensamento secundrio: no apenas oque digo, mas porque o digo deste modo.
8/10/2019 Anlise Das Letras
8/131
Paul Banks
Falo Espanhol e vivi no Mxico, onde o calo
inacreditvel. Aprendi duplos sentidos em vriaslnguas, e gosto de brincar com esse tipo de ideias.Erros gramaticais nas msicas, por exemplo.
Tenho feito isso desde o primeiro dia, usar o tempo
verbal errado, ou introduzir um non-sequiturnumafrase que, de resto, est bem construda. Uma pequenamudana no meio.
A ideia no apenas evocar uma reao escrita, maspr o leitor ou ouvinte a perguntar-sepor que o fiz. um processo de pensamento secundrio: no apenas oque digo, mas porque o digo deste modo.
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9/131
Obstacle 1I wishI could eat the salt off your lost faded lips
We can cap the old times,make playing only logical harmWe can cap the old lines, make playing that nothing else will changeBut she can read, she can read, she can read, she can read, shes badShe can read, she can read, she can read, shes badOh, shes bad
But its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neck
And we can find new ways of living, make playing only logical harmAnd we can top the old times, clay making that nothing else will changeBut she can read, she can read, she can read, she can read, shes bad
She can read, she can read, she can read, shes badOh, shes bad
Its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neckBut its different now that Im poor and aging, Ill never see this face again
And you go stabbing yourself in the neck
8/10/2019 Anlise Das Letras
10/131
Obstacle 1I wishI could eat the salt off your lost faded lips
We can cap the old times,make playing only logical harmWe can cap the old lines, make playing that nothing else will changeBut she can read, she can read, she can read, she can read, shes badShe can read, she can read, she can read, shes badOh, shes bad
But its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neck
And we can find new ways of living, make playing only logical harmAnd we can top the old times, clay making that nothing else will changeBut she can read, she can read, she can read, she can read, shes bad
She can read, she can read, she can read, shes badOh, shes bad
Its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neckBut its different now that Im poor and aging, Ill never see this face again
And you go stabbing yourself in the neck
8/10/2019 Anlise Das Letras
11/131
Obstacle 1I wishI could eat the salt off your lost faded lips
We can cap the old times,make playing only logical harmWe can cap the old lines, make playing that nothing else will changeBut she can read, she can read, she can read, she can read, shes badShe can read, she can read, she can read, shes badOh, shes bad
But its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neck
And we can find new ways of living, make playing only logical harmAnd we can top the old times, clay making that nothing else will changeBut she can read, she can read, she can read, she can read, shes bad
She can read, she can read, she can read, shes badOh, shes bad
Its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neckBut its different now that Im poor and aging, Ill never see this face again
And you go stabbing yourself in the neck
8/10/2019 Anlise Das Letras
12/131
Obstacle 1I wishI could eat the salt off your lost faded lips
We can cap the old times,make playing only logical harmWe can cap the old lines, make playing that nothing else will changeBut she can read, she can read, she can read, she can read, shes badShe can read, she can read, she can read, shes badOh, shes bad
But its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neck
And we can find new ways of living, make playing only logical harm
And we can top the old times, clay making that nothing else will changeBut she can read, she can read, she can read, she can read, shes badShe can read, she can read, she can read, shes badOh, shes bad
Its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neck
But its different now that Im poor and aging, Ill never see this face againAnd you go stabbing yourself in the neck
8/10/2019 Anlise Das Letras
13/131
Obstacle 1I wish I could eat the salt off your lost faded lipsWe can cap the old times, make playing only logical harm
We can cap the old lines, make playing that nothing else will changeBut she can read, she can read, she can read, she can read, shes badShe can read, she can read, she can read, shes badOh, shes bad
But its different now that Im poor and aging, Ill never see this face again
You go stabbing yourself in the neck
And we can find new ways of living, make playing only logical harmAnd we can top the old times, clay making that nothing else will changeBut she can read, she can read, she can read, she can read, shes bad
She can read, she can read, she can read, shes badOh, shes bad
Its different now that Im poor and aging, Ill never see this face againYou go stabbing yourself in the neckBut its different now that Im poor and aging, Ill never see this face again
And you go stabbing yourself in the neck
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14/131
Its in the way that she posedIts in the things that she puts in my hairHer stories are boring and stuffShes always calling my bluffShe puts the, she puts the weights into my little heart
And she gets in my room and she takes it apart, ohShe puts the weights into my little heartI said she puts the weights into my little heart
She packs it away, she packs it away, she packs it away, she packs it away,she packs it away, she packs it away, she packs it away
Its in the way that she walksHer heaven is never enoughShe puts the weights in my heartShe puts, oh, she puts the weights into my little heart
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Its in the way that she posedIts in the things that she puts in my hairHer stories are boring and stuffShes always calling my bluffShe puts the, she puts the weights into my little heart
And she gets in my room and she takes it apart, ohShe puts the weights into my little heartI said she puts the weights into my little heart
She packs it away, she packs it away, she packs it away, she packs it away,
she packs it away, she packs it away, she packs it away
Its in the way that she walks
Her heaven is never enoughShe puts the weights in my heartShe puts, oh, she puts the weights into my little heart
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8/10/2019 Anlise Das Letras
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Its in the way that she posedIts in the things that she puts in my hairHer stories are boring and stuffShes always calling my bluff
She puts the, she puts the weights into my little heartAnd she gets in my room and she takes it apart, ohShe puts the weights into my little heartI said she puts the weights into my little heart
She packs it away, she packs it away, she packs it away,
she packs it away, she packs it away, she packs it away,she packs it away
Its in the way that she walksHer heaven is never enough
She puts the weights in my heartShe puts, oh, she puts the weights into my little heart
8/10/2019 Anlise Das Letras
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Uma origem no desejoDaniel Kessler - Guitarra"It took me a long time to commit to the idea
that if I didn't make a foray into music and find a
band to be in, then I would probably end up
very miserable. I never had delusions of
grandeur but it gave me such a good feeling
when I wrote songs even though they were
very private and no one ever heard them that
I knew I had to try to do this."
Carlos Dengler - BaixoIn terms of what Interpol did with Turn on the
Bright Lights, I would say not even Arcade Fire
hits you with this, like, wow - youre just like,
OK. I mean, I think Arcade Fire are brilliant, but
I dont think that you really walk away from
them feeling like youve been transformed.
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Paul Banks - Voz e guitarra
It came out of seeing a really beautiful girl
and feeling unbelievable longing and sadness
about her lack of awareness of myexistence.
I just had this huge amount of pain from
age 14 on, where I would fall so head over
heels with girls and couldnt have contact
with them, I felt that if I cant have that
beauty in my life, then I have to create
something comparable.
[Cmere] is a jaded love song - very bitter. I
will freely admit I gravitate towards the same
themes of relationships, distance and
proximity, and lust and longing. Thats what
inspires me the most.
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Roland
Shh *spoken+Come on, come on [spoken]
HeyMy best friends a butcher, he has sixteen knivesHe carries them all over the town, at least he triesOh, look, it stopped snowingMy best friends from Poland and, hum, he has a beard
But they caught him with his case in that public placeThat is what we had feared
He severed segments secretly, you like thatHe always took the time to speak with me
And I liked him for thatHe severed segments so secretly you like that(What is this, a throw away? What is this, a throw away?)
He always took the time, he always took the time(Please, get some help, please get some help [spoken])
Cmon now pussycat *spoken+
b f d b h h h k
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My best friends a butcher, he has sixteen knivesHe carries them all over the town, at least he triesOh, look, it stopped snowingAnd my best friends from Poland and, hum, he has a beardBut they caught him with his case in that public placeThat is what we had feared
He severed segments secretly, you like thatHe always took the time to speak with meAnd I liked him for that
He severed segments so secretly, you like that(What is this, a throw away? What is this, a throw away?)
He was growing on me(What is this, a throw away? What is this, a throw away?)
He was growing on me
(A throw away? A throw away? A throw away?)How about that? [spoken]Yeah [spoken]I dont know *spoken+Well if thats the way it is *spoken+
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Roland
Shh [spoken]
Come on, come on [spoken]
Hey
My best friends a butcher, he has sixteen knivesHe carries them all over the town, at least he triesOh, look, it stopped snowingMy best friends from Poland and, hum, he has a beard
But they caught him with his case in that public placeThat is what we had feared
He severed segments secretly, you like thatHe always took the time to speak with me
And I liked him for thatHe severed segments so secretly you like that(What is this, a throw away? What is this, a throw away?)
He always took the time, he always took the time(Please, get some help, please get some help [spoken])
Cmon now pussycat [spoken]
M b f i d b h h h i k i
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My best friends a butcher, he has sixteen knivesHe carries them all over the town, at least he triesOh, look, it stopped snowingAnd my best friends from Poland and, hum, he has a beardBut they caught him with his case in that public placeThat is what we had feared
He severed segments secretly, you like thatHe always took the time to speak with meAnd I liked him for that
He severed segments so secretly, you like that(What is this, a throw away? What is this, a throw away?)
He was growing on me(What is this, a throw away? What is this, a throw away?)
He was growing on me
(A throw away? A throw away? A throw away?)How about that? [spoken]
Yeah [spoken]
I dont know [spoken]
Well if thats the way it is [spoken]
8/10/2019 Anlise Das Letras
24/131
Roland
Shh [spoken]
Come on, come on [spoken]
Hey
My best friends a butcher, he has sixteen knivesHe carries them all over the town, at least he triesOh, look, it stopped snowingMy best friends from Poland and, hum, he has a beard
But they caught him with his case in that public placeThat is what we had feared
He severed segments secretly, you like thatHe always took the time to speak with me
And I liked him for thatHe severed segments so secretly you like that(What is this, a throw away? What is this, a throw away?)
He always took the time, he always took the time(Please, get some help, please get some help [spoken])
Cmon now pussycat [spoken]
M b t f i d b t h h h i t k i
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25/131
My best friends a butcher, he has sixteen knivesHe carries them all over the town, at least he triesOh, look, it stopped snowingAnd my best friends from Poland and, hum, he has a beardBut they caught him with his case in that public placeThat is what we had feared
He severed segments secretly, you like thatHe always took the time to speak with meAnd I liked him for that
He severed segments so secretly, you like that(What is this, a throw away? What is this, a throw away?)
He was growing on me(What is this, a throw away? What is this, a throw away?)
He was growing on me
(A throw away? A throw away? A throw away?)How about that? [spoken]
Yeah [spoken]
I dont know [spoken]
Well if thats the way it is [spoken]
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26/131
Roland
Shh [spoken]
Come on, come on [spoken]
Hey
My best friends a butcher, he has sixteen knivesHe carries them all over the town, at least he triesOh, look, it stopped snowingMy best friends from Poland and, hum, he has a beard
But they caughthim with his case in that public placeThat is what we had feared
He severedsegmentssecretly, you like thatHe always took the time to speak with me
And I liked him for thatHe severed segments so secretly you like that(What is this, a throw away? What is this, a throw away?)
He always took the time, he always took the time(Please, get some help, please get some help [spoken])
Cmon now pussycat [spoken]
My best friends a butcher he has sixteen knives
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27/131
My best friends a butcher, he has sixteen knivesHe carries them all over the town, at least he triesOh, look, it stopped snowingAnd my best friends from Poland and, hum, he has a beardBut they caught him with his case in that public placeThat is what we had feared
He severed segments secretly, you like thatHe always took the time to speak with meAnd I liked him for that
He severed segments so secretly, you like that(What is this, a throw away? What is this, a throw away?)
He was growing on me(What is this, a throw away? What is this, a throw away?)
He was growing on me
(A throw away? A throw away? A throw away?)How about that? [spoken]
Yeah [spoken]
I dont know [spoken]
Well if thats the way it is [spoken]
8/10/2019 Anlise Das Letras
28/131
Roland
Shh *spoken+Come on, come on [spoken]
HeyMy best friends a butcher, he has sixteen knives
He carries them all over the town, at least he triesOh, look, it stopped snowingMy best friends from Poland and, hum, he has a beard
But they caught him with his case in that public placeThat is what we had feared
He severed segments secretly, you like that
He always took the time to speak with me
And I liked him for thatHe severed segments so secretly you like that(What is this, a throw away? What is this, a throw away?)
He always took the time, he always took the time (Please, get some help, please get some help [spoken])
Cmon now pussycat *spoken+
My best friends a butcher he has sixteen knives
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29/131
My best friend s a butcher, he has sixteen knives
He carries them all over the town, at least he triesOh, look, it stopped snowingAnd my best friends from Poland and, hum, he has a beard
But they caught him with his case in that public place
That is what we had feared
He severed segments secretly, you like that
He always took the time to speak with me
And I liked him for that
He severed segments so secretly, you like that(What is this, a throw away? What is this, a throw away?)
He was growing on me(What is this, a throw away? What is this, a throw away?)
He was growing on me
(A throw away? A throw away? A throw away?)How about that? [spoken]Yeah [spoken]I dont know *spoken+Well if thats the way it is *spoken+
l d
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Roland
Shh *spoken+Come on, come on [spoken]
HeyMy best friends a butcher, he has sixteen knives
He carries them all over the town, at least he triesOh, look, it stopped snowingMy best friends from Poland and, hum, he has a beard
But they caught him with his case in that public placeThat is what we had feared
He severed segments secretly, you like that
He always took the time to speak with me
And I liked him for thatHe severed segments so secretly you like that(What is this, a throw away? What is this, a throw away?)
He always took the time, he always took the time (Please, get some help, please get some help [spoken])
Cmon now pussycat *spoken+
My best friends a butcher he has sixteen knives
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My best friend s a butcher, he has sixteen knives
He carries them all over the town, at least he triesOh, look, it stopped snowingAnd my best friends from Poland and, hum, he has a beard
But they caught him with his case in that public placeThat is what we had feared
He severed segments secretly, you like that
He always took the time to speak with me
And I liked him for that
He severed segments so secretly, you like that(What is this, a throw away? What is this, a throw away?)
He was growing on me(What is this, a throw away? What is this, a throw away?)
He was growing on me
(A throw away? A throw away? A throw away?)How about that? [spoken]Yeah [spoken]I dont know *spoken+Well if thats the way it is *spoken+
My best friends a butcher he has sixteen knives
8/10/2019 Anlise Das Letras
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My best friend s a butcher, he has sixteen knives
He carries them all over the town, at least he triesOh, look, it stopped snowingAnd my best friends from Poland and, hum, he has a beard
But they caught him with his case in that public placeThat is what we had feared
He severed segments secretly, you like that
He always took the time to speak with me
And I liked him for that
He severed segments so secretly, you like that(What is this, a throw away? What is this, a throw away?)
He wasgrowing on me(What is this, a throw away? What is this, a throw away?)
He wasgrowing on me
(A throw away? A throw away? A throw away?)How about that? [spoken]Yeah [spoken]I dont know *spoken+Well if thats the way it is *spoken+
R l d
8/10/2019 Anlise Das Letras
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Roland
Shh [spoken]
Come on, come on [spoken]
Hey
My best friends a butcher, he has sixteenknivesHe carries them all over the town, at least he triesOh, look, it stopped snowing
My best friends from Poland and, hum, he has a beardBut they caught him with his case in that public placeThat is what we had feared
He severed segments secretly, you like thatHe always took the time to speak with me
And I liked him for thatHe severed segments so secretly you like that(What is this, a throw away? What is this, a throw away?)
He always took the time, he always took the time(Please, get some help, please get some help [spoken])
My best friends a butcher he has sixteen knives
8/10/2019 Anlise Das Letras
34/131
My best friend s a butcher, he has sixteen knives
He carries them all over the town, at least he triesOh, look, it stopped snowingAnd my best friends from Poland and, hum, he has a beard
But they caught him with his case in that public placeThat is what we had feared
He severed segments secretly, you like that
He always took the time to speak with me
And I liked him for that
He severed segments so secretly, you like that(What is this, a throw away? What is this, a throw away?)
He wasgrowing on me(What is this, a throw away? What is this, a throw away?)
He was growing on me
(A throw away? A throw away? A throw away?)How about that? [spoken]
Yeah [spoken]
I dont know [spoken]
Well if thats the way it is [spoken]
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But youre so young youre so young
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But you re so young, you re so youngYou look in my eyesYoure so young, so sweet, so surprised
I see a sign, it says OKGotta take a ride, just reclineIn the farawayGotta take some time to realize
That my friends, they comeAnd the lines they go by
Tonight Im gonna rest my chemistry (2x)
But youre so young, youre so youngYou look in my eyesYoure so young, so sweet, so surprisedYou look so young
Like a daisy in my lazy eye
h i
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Rest My Chemistry(Our Love to Admire, 2007)
I havent slept for two daysIve bathed in nothing but sweatAnd Ive made hallways scenes for things to regretMy friends, they come, and the lines they go by
Tonight Im gonna rest my chemistry (2x)
I live my life filled with no painJust some rage and three kinds of yes
And Ive made stairways such scenes for things that I regretOh, those days in the sunThey bring a tear to my eye
Tonight Im gonna rest my chemistry (2x)
Ch i
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Rest My Chemistry(Our Love to Admire, 2007)
I havent slept for two daysIve bathed in nothing but sweatAnd Ive made hallways scenes for things to regretMy friends, they come, and the lines they go by
Tonight Im gonna rest my chemistry (2x)
I live my life filled with no painJust some rage and three kinds of yes
And Ive made stairways such scenes for things that I regretOh, those days in the sunThey bring a tear to my eye
Tonight Im gonna rest my chemistry (2x)
R M Ch i
8/10/2019 Anlise Das Letras
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Rest My Chemistry(Our Love to Admire, 2007)
I havent slept for two daysIve bathed in nothing but sweatAnd Ive made hallways scenes for things to regretMy friends, they come, and the lines they go by
Tonight Im gonna rest my chemistry (2x)
I live my life filled with no painJust some rage and three kinds of yes
And Ive made stairways such scenes for things that I regretOh, those days in the sunThey bring a tear to my eye
Tonight Im gonna rest my chemistry (2x)
R M Ch i
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Rest My Chemistry(Our Love to Admire, 2007)
I havent slept for two daysIve bathed in nothing but sweatAnd Ive made hallways scenes for things to regretMy friends, they come, and the lines they go by
Tonight Im gonna rest my chemistry (2x)
I live my life filled with no painJust some rage and three kinds of yes
And Ive made stairways such scenes for things that I regretOh, those days in the sunThey bring a tear to my eye
Tonight Im gonna rest my chemistry (2x)
But youre so young, youre so young
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But you re so young, you re so youngYou look in my eyesYoure so young, so sweet, so surprised
I see a sign, it says OKGotta take a ride, just reclineIn the farawayGotta take some time to realize
That my friends, they comeAnd the lines they go by
Tonight Im gonna rest my chemistry (2x)
But youre so young, youre so youngYou look in my eyesYoure so young, so sweet, so surprisedYou look so young
Like a daisy in my lazy eye
But youre so young, youre so young
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But you re so young, you re so youngYou look in my eyesYoure so young, so sweet, so surprised
I see a sign, it says OKGotta take a ride, just reclineIn the farawayGotta take some time to realize
That my friends, they comeAnd the lines they go by
Tonight Im gonna rest my chemistry (2x)
But youre so young, youre so youngYou look in my eyesYoure so young, so sweet, so surprisedYou look so young
Like a daisy in my lazy eye
But youre so young, youre so young
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But you re so young, you re so youngYou look in my eyesYoure so young, so sweet, so surprised
I see a sign, it says OKGotta take a ride, just reclineIn the farawayGotta take some time to realize
That my friends, they comeAnd the lines they go by
Tonight Im gonna rest my chemistry (2x)
But youre so young, youre so youngYou look in my eyesYoure so young, so sweet, so surprisedYou look so young
Like a daisy in my lazy eye
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Th Li hth
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The Lighthouse(Our Love to Admire, 2007)
This place is set to breakIts just as safe for me outside tonightAnd I want thatI face the storms appetite
From the lighthouse
And I want thatI embrace the storm and the night
Whole
Sedia-m eu na ermida de San Simion
cercaron-mi as ondas, que grandes son!
Eu atendend o meu amigo,
eu atendend o meu amigo!
Nen ei barqueiro, nen remador!
morrerei fremosa no mar maior!
Eu atendend o meu amigo,
eu atendend o meu amigo!
What do the waves have to say now? [Hold now, breathe]
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y [ , ]What do the waves have to say now now? [Hold now]Slow now [Breathe now]I let the waves have their way now now [Hold now]
Slow [Breathe now]I let the waves have their day
And I want that
Here Ive been living unloosened from sinUpward and outwardBegin, begin
Here Ive been loosened, unliving withinInwardly urgentIm sinking again
The lighthouse
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What do the waves have to say now? [Hold now, breathe]
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y [ , ]What do the waves have to say now now? [Hold now]Slow now [Breathe now]I let the waves have their way now now [Hold now]
Slow [Breathe now]I let the waves have their day
And I want that
Here Ive been living unloosened from sinUpward and outwardBegin, begin
Here Ive been loosened, unliving withinInwardly urgentIm sinking again
The lighthouse
What do the waves have to say now? [Hold now, breathe]
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y [ , ]What do the waves have to say now now? [Hold now]Slow now [Breathe now]I let the waves have their way now now [Hold now]
Slow [Breathe now]I let the waves have their day
And I want that
Here Ive been living unloosened from sinUpward and outwardBegin, begin
Here Ive been loosened, unliving withinInwardly urgentIm sinking again
The lighthouse
What do the waves have to say now? [Hold now, breathe]
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y [ , ]What do the waves have to say now now? [Hold now]Slow now [Breathe now]I let the waves have their way now now [Hold now]
Slow [Breathe now]I let the waves have their day
And I want that
Here Ive been living unloosenedfrom sinUpward and outwardBegin, begin
Here Ive been loosened, unliving withinInwardly urgentIm sinking again
The lighthouse
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What do the waves have to say now? [Hold now, breathe]
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What do the waves have to say now now? [Hold now]Slow now [Breathe now]I let the waves have their way now now [Hold now]
Slow [Breathe now]I let the waves have their day
And I want that
Here Ive been living unloosened from sinUpward and outwardBegin, begin
Here Ive been loosened, unliving withinInwardly urgentIm sinking again
The lighthouse
What do the waves have to say now? [Hold now, breathe]
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What do the waves have to say now now? [Hold now]Slow now [Breathe now]I let the waves have their way now now [Hold now]
Slow [Breathe now]I let the waves have their day
And I want that
Here Ive been living unloosened from sinUpward and outwardBegin, begin
Here Ive been loosened, unliving withinInwardly urgentIm sinkingagain
The lighthouse
What do the waves have to say now? [Hold now, breathe]
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What do the waves have to say now now? [Hold now]Slow now [Breathe now]I let the waves have their way now now [Hold now]
Slow [Breathe now]I let the waves have their day
And I want that
Here Ive been living unloosened from sinUpward and outwardBegin, begin
Here Ive been loosened, unliving withinInwardly urgentIm sinkingagain
The lighthouse
What do the waves have to say now? [Hold now, breathe]
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What do the waves have to say now now? [Hold now]Slow now [Breathe now]I let the waves have their way now now [Hold now]
Slow [Breathe now]I let the waves have their day
And I want that
Here Ive been living unloosened from sinUpward and outwardBegin, begin
Here Ive been loosened, unliving withinInwardly urgentIm sinking again
The lighthouse
Paul Banks
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Paul Banks
I have a quote from my favourite author, Henry
Miller, on my ribs. In one of his books, he was writingabout a troubled time in his life, and he says he was:Not wholly wrong, but deeply erring.
After I made some life changes it really resonated asa commemoration: Ive messed up and hurt otherpeople and those things are permanent.
You can make amends and redeem yourself, but thathappened. Im not going to say Im a terrible humanbeing, but I acknowledge that I made mistakes.
Breaker 1
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Breaker 1(El Pintor, 2014)
Come back, come back, Im the warningCome back, come back, Breaker One
You seen the dayWhen I hold you tightAsleep beside meThere is a slope like an appetite we descend slowlyAnd I fear my deep makeupThe ache inside go away
The vacant mind just relaySome explosion from the bright side
Come back, come back, Im the warning
Breaker 1
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Breaker 1(El Pintor, 2014)
Come back, come back, Im the warningCome back, come back, Breaker One
You seen the dayWhen I hold you tightAsleep beside meThere is a slope like an appetitewe descend slowlyAnd I fear my deep makeupThe ache inside go away
The vacant mind just relaySome explosion from the bright side
Come back, come back, Im the warning
Breaker 1
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Breaker 1(El Pintor, 2014)
Come back, come back, Im the warningCome back, come back, Breaker One
You seen the dayWhen I hold you tightAsleep beside meThere is a slope like an appetitewe descend slowlyAnd I fear my deep makeupThe ache inside go away
The vacant mind just relaySome explosion from the bright side
Come back, come back, Im the warning
Breaker 1
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Breaker 1(El Pintor, 2014)
Come back, come back, Im the warningCome back, come back, Breaker One
You seen the dayWhen I hold you tightAsleep beside meThere is a slopelike an appetitewe descend slowlyAnd I fear my deep makeupThe ache inside go away
The vacant mind just relaySome explosion from the bright side
Come back, come back, Im the warning
Yo seen the da
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You seen the dayHow it happens rightThis beast inside me
He leads the wayThen hes at my sideWe feast till Im starvingAnd I feel my deep makeupThe ache inside go awayAm I aping some old holidaySome remnants of a wild sideIm inclinedCuz Ive seen my dreams defied
And Ill take my turns in strideJust speed my feet away
Days begunGrace become
Babe this week I justWent through so muchAnd went through so much darlingAnd Ive seen my deep makeupThe ache inside go awayThe patience to climb all daySome remnants of a mountainIm inclinedCuz I need my needs to get by
And Ive paid my turns in kindJust speed my feet away
You seen the day
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You seen the dayHow it happens rightThis beast inside me
He leads the wayThen hes at my sideWe feast till Im starvingAnd I feel my deep makeupThe ache inside go awayAm I aping some old holidaySome remnants of a wild sideIm inclinedCuz Ive seen my dreams defied
And Ill take my turns in strideJust speed my feet away
Days begunGrace become
Babe this week I justWent through so muchAnd went through so much darlingAnd Ive seen my deep makeupThe ache inside go awayThe patience to climb all daySome remnants of a mountainIm inclinedCuz I need my needs to get by
And Ive paid my turns in kindJust speed my feet away
You seen the day
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You seen the dayHow it happens rightThis beast inside me
He leads the wayThen hes at my sideWe feast till Im starvingAnd I feel my deep makeupThe ache inside go awayAm I aping some old holidaySome remnants of a wild sideIm inclinedCuz Ive seen my dreams defied
And Ill take my turns in strideJust speed my feet away
Days begunGrace become
Babe this week I justWent through so muchAnd went through so much darlingAnd Ive seen my deep makeupThe ache inside go awayThe patience to climb all daySome remnants of a mountainIm inclinedCuz I need my needs to get by
And Ive paid my turns in kindJust speed my feet away
You seen the day
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You seen the dayHow it happens rightThis beast inside me
He leads the wayThen hes at my sideWe feast till Im starvingAnd I feel my deep makeupThe ache inside go awayAm I aping some old holidaySome remnants of a wild sideIm inclinedCuz Ive seen my dreams defied
And Ill take my turns in strideJust speed my feet away
Days begunGrace become
Babe this week I justWent through so muchAnd went through so much darlingAnd Ive seen my deep makeupThe ache inside go awayThe patience to climb all daySome remnants of a mountainIm inclinedCuz I need my needs to get by
And Ive paid my turns in kindJust speed my feet away
You seen the day
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You seen the dayHow it happens rightThis beast inside me
He leads the wayThen hes at my sideWe feast till Im starvingAnd I feel my deep makeupThe ache inside go awayAm I aping some old holidaySome remnants of a wild sideIm inclinedCuz Ive seen my dreams defied
And Ill take my turns in strideJust speed my feet away
Days begunGrace become
Babe this week I justWent through so muchAnd went through so much darlingAnd Ive seen my deep makeupThe ache inside go awayThe patience to climb all daySome remnants of a mountainIm inclinedCuz I need my needs to get by
And Ive paid my turns in kindJust speed my feet away
You seen the day
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You seen the dayHow it happens rightThis beast inside me
He leads the wayThen hes at my sideWe feast till Im starvingAnd I feel my deep makeupThe ache inside go awayAm I aping some old holidaySome remnants of a wild sideIm inclinedCuz Ive seen my dreams defied
And Ill take my turns in strideJust speed my feet away
Days begunGrace become
Babe this week I justWent through so muchAnd went through so much darlingAnd Ive seen my deep makeupThe ache inside go awayThe patience to climb all daySome remnants of a mountainIm inclinedCuz I need my needs to get by
And Ive paid my turns in kindJust speed my feet away
You seen the day
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You seen the dayHow it happens rightThis beast inside me
He leads the wayThen hes at my sideWe feast till Im starvingAnd I feel my deep makeupThe ache inside go awayAm I aping some old holidaySome remnants of a wild sideIm inclinedCuz Ive seen my dreams defied
And Ill take my turns in strideJust speed my feet away
Days begunGrace become
Babe this week I justWent through so muchAnd went through so much darlingAnd Ive seen my deep makeupThe ache inside go awayThe patience to climb all daySome remnants of a mountainIm inclinedCuz I need my needs to get by
And Ive paid my turns in kindJust speed my feet away
You seen the day
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You seen the dayHow it happens rightThis beast inside me
He leads the wayThen hes at my sideWe feast till Im starvingAnd I feel my deep makeupThe ache inside go awayAm I aping some old holidaySome remnants of a wild sideIm inclinedCuz Ive seen my dreams defied
And Ill take my turns in strideJust speed my feet away
Days begunGrace become
Babe this week I justWent through so muchAnd went through so much darlingAnd Ive seen my deep makeupThe ache inside go awayThe patience to climb all daySome remnants of a mountainIm inclinedCuz I need my needs to get by
And Ive paid my turns in kindJust speed my feet away
You seen the day
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You seen the dayHow it happens rightThis beast inside me
He leads the wayThen hes at my sideWe feast till Im starvingAnd I feel my deep makeupThe ache inside go awayAm I aping some old holidaySome remnants of a wild sideIm inclinedCuz Ive seen my dreams defied
And Ill take my turns in strideJust speed my feet away
Days begunGrace become
Babe this week I justWent through so muchAnd went through so much darlingAnd Ive seen my deep makeupThe ache inside go awayThe patience to climb all daySome remnants of a mountainIm inclinedCuz I need my needs to get by
And Ive paid my turns in kindJust speed my feet away
You seen the day
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You seen the dayHow it happens rightThis beast inside me
He leads the wayThen hes at my sideWe feast till Im starvingAnd I feel my deep makeupThe ache inside go away
Am I aping some old holidaySome remnants of a wild sideIm inclinedCuz Ive seen my dreams defied
And Ill take my turns in strideJust speed my feet away
Days begunGrace become
Babe this week I justWent through so muchAnd went through so much darlingAnd Ive seen my deep makeupThe ache inside go awayThe patience to climb all daySome remnants of a mountainIm inclinedCuz I need my needs to get by
And Ive paid my turns in kindJust speed my feet away
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Refutar a tese da m poesia
As letras de Paul Banks1) Uma construo estilstica2) Num contexto musical
The New
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I wish I could live freeI hope its not beyond meSettling down, it takes timeOne day well live together
And life will be betterI have it here, yeah, in my mindBaby, you know someday youll slowAnd baby, my hearts been breaking
I gave a lot to youI take a lot from you tooYou slave a lot for meGuess you could say I gave you my edge
I cant pretend I need to defendsome part of me from youI know Ive spent some time, oh, lyingI cant pretend I need to defend
some part of me from youI know Ive spent some time, oh, lying
How am I doing? [spoken]
Youre looking all right tonightI think we should goYoure looking all right tonightI think we should go
The New(Turn on the Bright Lights, 2002)
The New
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I wish I could live freeI hope its not beyond meSettling down, it takes timeOne day well live together
And life will be betterI have it here, yeah, in my mindBaby, you know someday youll slowAnd baby, my hearts been breaking
I gave a lot to youI take a lot from you tooYou slave a lot for meGuess you could say I gave you my edge
I cant pretend I need to defendsome part of me from youI know Ive spent some time, oh, lyingI cant pretend I need to defend
some part of me from youI know Ive spent some time, oh, lying
How am I doing? [spoken]
Youre looking all right tonightI think we should goYoure looking all right tonightI think we should go
The New(Turn on the Bright Lights, 2002)
The New
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I wish I could live freeI hope its not beyond meSettling down, it takes timeOne day well live together
And life will be betterI have it here, yeah, in my mindBaby, you know someday youll slowAnd baby, my hearts been breaking
I gave a lot to youI take a lot from you tooYou slave a lot for meGuess you could say I gave you my edge
I cant pretend I need to defendsome part of me from youI know Ive spent some time, oh, lyingI cant pretend I need to defend
some part of me from youI know Ive spent some time, oh, lying
How am I doing? [spoken]
Youre looking all right tonightI think we should goYoure looking all right tonightI think we should go
The New(Turn on the Bright Lights, 2002)
The New
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I wish I could live freeI hope its not beyond meSettling down, it takes timeOne day well live together
And life will be betterI have it here, yeah, in my mindBaby, you know someday youll slowAnd baby, my hearts been breaking
I gave a lot to youI take a lot from you tooYou slave a lot for meGuess you could say I gave you my edge
I cant pretend I need to defendsome part of me from youI know Ive spent some time, oh, lyingI cant pretend I need to defend
some part of me from youI know Ive spent some time, oh, lying
How am I doing? [spoken]
Youre looking all right tonightI think we should goYoure looking all right tonightI think we should go
The New(Turn on the Bright Lights, 2002)
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The New
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I wish I could live freeI hope its not beyond meSettlingdown, it takes timeOne day well live together
And life will be betterI have it here, yeah, in my mindBaby, you know someday youll slowAnd baby, my hearts been breaking
I gave a lot to youI take a lot from you tooYou slave a lot for meGuess you could say I gave you my edge
I cant pretend I need to defendsome part of me from youI know Ive spent some time, oh, lyingI cant pretend I need to defend
some part of me from youI know Ive spent some time, oh, lying
How am I doing? [spoken]
Youre looking all right tonightI think we should goYoure looking all right tonightI think we should go
The New(Turn on the Bright Lights, 2002)
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ShortList.com: Favourite Song From Your Own Music?
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g
Paul Banks: I'm gonna guess we're talking Interpol and
not my solo work. So, I'd say The Newfrom our firstalbum.
Always been one of my favorite songs, and just represents
a real freedom that existed in our early writing.
It came from a place somewhere between not knowingwhat we were doing, and knowing EXACTLY what we weredoing. It's pure, and I love that track.
The New: Drama e Modulao
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Meghann Wilhoite | Music Theory & Interpol
Uma coisa que me parece muito dramtica acerca da The New amudana (tambm dita modulao) da escala de D maior para ade Si menor a partir de cerca de metade da cano.
Em 2:22, ouvimos o sintetizador repetir sucessivamente as notas Si
e D, mas como o baixo est a tocar um F natural, estamos aindana escala de D maior. Em 2:56, o sintetizador mantm-se na notaSi, e a harmonia total predominante um acorde de Si diminuta(composto pelas notas Si-R-F), que o acorde construdo sobre a
tnica de D maior. O minuto 3:14 traz-nos finalmente escala deSi menor, com a guitarra a tocar sucessiva e repetidamente as notasSi e L#sendo esta ltima a nota dominante (ou tnica) da escalade Si menorenquanto ouvimos tambm o F natural no baixo,confirmando assim Si menor como a escala.
Tipicamente, as escalas maiores esto associadas felicidade,
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escalas menores tristeza, enquanto os acordes diminutos soconsiderados ominosos. Se aceitarmos estas associaes:
estrutura da escala = resposta emocional
ento podamos ouvir a letra da primeira metade da cano, i.e. aestrofe, o pr-refro e o refro como correspondendo a D maior,
onde as palavras progridem:
- de um tom esperanoso: life will be better- para um tom contrafeito:I need to defend
medida que nos aproximamos do ominoso acorde de Si diminuta,em 2:56.
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Li ht (I t l 2010)
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Lights (Interpol, 2010)
All that I seeShow me your ways
All that I feelCapitol ways
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Show me your waysTeach me to meet my desireswith some grace
All that I fearDont turn away and leave meto plead in this hole of a placeCause what if I never break?
Estuary wont you take me
far away, far away
All that I seekPlease police me, I want you to police meBut keep it clean
How have you been my dayNow lets take them away
Strong as you seem, old as you behaveYou will always obey
Capitol waysteach me to grieve and conspirewith my age
All that I can seeDomestic spree a seething routine I couldnever navigateMaybe I like to stray
No heart unseen will be left so clean, not today
Its like you want it that way
All that I seeIs peaceful eyes drawn away from meDrawn away from me
We'd like to take the signs(That is why I hold you)And breed silence in disguise(Thats why I hold you dear)We'd like to meet the buyer that is all your lifeThat's why I hold you (dear) (vrias vezes)
Li ht (I t l 2010)
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Lights (Interpol, 2010)
All that I seeShow me your ways
All that I feelCapitol ways
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y yTeach me to meet my desireswith some grace
All that I fearDont turn away and leave meto plead in this hole of a placeCause what if I never break?
Estuary wont you take me
far away, far away
All that I seek
Please policeme, I want you to police meBut keep it clean
How have you been my dayNow lets take them away
Strong as you seem, old as you behaveYou will always obey
p yteach me to grieve and conspirewith my age
All that I can seeDomestic spree a seething routine I couldnever navigateMaybe I like to stray
No heart unseen will be left so clean, not today
Its like you want it that way
All that I seeIs peaceful eyes drawn away from meDrawn away from me
We'd like to take the signs(That is why I hold you)And breed silence in disguise(Thats why I hold you dear)We'd like to meet the buyer that is all your lifeThat's why I hold you (dear) (vrias vezes)
All that I seeShow me your ways
All that I feelCapitolways
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y yTeach me to meet my desireswith some grace
All that I fearDont turn away and leave meto pleadin this hole of a placeCause what if I never break?
Estuary wont you take me
far away, far away
All that I seekPlease police me, I want you to police meBut keep it clean
How have you been my dayNow lets take them away
Strong as you seem, old as you behaveYou will always obey
p yteach me to grieve and conspirewith my age
All that I can seeDomestic spree a seething routine I couldnever navigateMaybe I like to stray
No heart unseen will be left so clean, not today
Its like you want it that way
All that I seeIs peacefuleyes drawn away from meDrawn away from me
We'd like to take the signs(That is why I hold you)And breed silence in disguise(Thats why I hold you dear)We'd like to meet the buyerthat is all your lifeThat's why I holdyou (dear) (vrias vezes)
All that I seeShow me your ways
All that I feelCapitol ways
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y yTeach me to meet my desireswith some grace
All that I fearDont turn awayand leave meto plead in this hole of a placeCause what if I never break?
Estuarywont you take me
far away, far away
All that I seekPlease police me, I want you to police meBut keep it clean
How have you been my dayNow lets take them away
Strong as you seem, old as you behaveYou will always obey
p yteach me to grieve and conspirewith my age
All that I can seeDomestic spree a seething routine I couldnever navigateMaybe I like to stray
No heart unseen will be left so clean, not today
Its like you want it that way
All that I seeIs peaceful eyes drawn away from meDrawn away from me
We'd like to take the signs(That is why I hold you)And breed silence in disguise(Thats why I hold you dear)We'd like to meet the buyer that is all your lifeThat's why I hold you (dear) (vrias vezes)
Leif Erikson (Turn On the Bright Lights, 2002)
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The clock is set for nine but you know you're gonna make it eight
All the people that you've loved they're all bound to leave some keepsakes
I've been swinging all the time, think it's time I learn your way
I picture you and me together in the jungle, it will be ok
I'll bring you when my lifeboat sails through the night
That is supposing that you don't sleep tonight
It's like learning a new languageAs we catch up on my mime
If you don't bring up those lonely parts
This could be a good time
It's like learning a new language
You come here to meWe'll collect those lonely parts and set them down
You come here to me...
She says brief things, her love's a pony
My love's subliminal
Over My Shoulder (Banks, 2012)
h ld h h h ff d
Anywhere (El Pintor, 2014)
W t t i d
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Over my shoulder theres a heart that suffers deep
The sudden exposure makes my mind recall the scene
Over my shoulder theres a lonely hearted thief
You only know me like the shorelineknows the sea
We raise the stones just like beginnings
We make our home above the stars again:
Behold
Over my shoulder theres a man that doesnt speakWoe expectations they will only make you weep
You only know me like the shorelineknows the sea
Over my shoulder there are phantoms indiscreet
We chase the tones as the sight begins
The gate is open and silence showers in
So behold the science: We all have our themes to play
Besides theres a life outside where our lucky passions
reign
You only hold me as the canyon holds the stream
We try to invade
Put some of us in each
At least try to hold the other
In the right light
This skys gonna break
Some of us die heroes
At least theyll never suffer
At least theyll always
a
See the oceanI could go anywhere
So free in my place in the sun
I could go anywhere
You know all about me
Thats whats so frighteningYou know all about me
Seems my moon is travelling
DiS: BlueSupreme is one of our favourite songs on thenew record This is a bit of a punt but is it about a midlife
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new record. This is a bit of a punt, but is it about a midlifecrises?
Paul Banks: It could be. Its not me feeling like Im havingone, but I kind of feel like you could apply that sense ofFuck it. I need to spread my wings.
I love the word supreme. I like the image of the Americanroad tripa lot, but also how that particular phrase canevokemore of a metaphorical state of mind than an actual
automobile, although it can kind of be both.
That just came in the studio one day and I was like, Huh.And then I had to check nobody else had written it before.
You've lived in many places in the world, and on tour and otherwise,you've been to many more. As we're speaking today, you're in
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y y p g y yPanama. What draws you there?Paul Banks: The ocean. It's remote. Everything is better for me. It's
where I'm happiest.
What got you into surfing, and what do you find relaxing andinteresting about it?Paul Banks: Since I was a kid, I had body surfed. It's something I gotinto kind of in high school. On some sort of big wave beaches I wasdoing it at that point where it's a bit of an extreme sport and it's kindof dangerous. I found a place in Central America with great waves,Panama. The next step for me loving music was picking up the guitar,
and the next step for me loving the ocean was in trying out a surfboard. The reason surfers act like and are surfers is because it sort ofis the best thing ever. It satisfies you on primeval levels, as well asevery conscious level a person might understand.
All that I seeShow me your ways
All that I feelCapitol ways
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Teach me to meet my desireswith some grace
All that I fearDont turn awayand leave meto plead in this hole of a placeCause what if I never break?
Estuary wont you take me
far away, far away
All that I seekPlease police me, I want you to police meBut keep it clean
How have you been my dayNow lets take them away
Strong as you seem, old as you behaveYou will alwaysobey
teach me to grieve and conspirewith my age
All that I can seeDomestic spree a seething routine I couldnever navigateMaybe I like to stray
No heart unseen will be left so clean, not today
Its like you want it that way
All that I seeIs peaceful eyes drawn awayfrom meDrawn away from me
We'd like to take the signs(That is why I hold you)And breed silence in disguise(Thats why I hold you dear)We'd like to meet the buyer that is all your lifeThat's why I hold you (dear) (vrias vezes)
The clock is set for nine but you know you're gonna make it eight
All the people that you've loved they're all bound to leave some keepsakes
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p p y y p
I've been swinging all the time, think it's time I learn your way
I picture you and me together in the jungle, it will be ok
I'll bring you when my lifeboat sails through the night
That is supposing that you don't sleep tonight
It's like learning a new language
As we catch up on my mimeIf you don't bring up those lonely parts
This could be a good time
It's like learning a new language
You come here to me
We'll collect those lonely parts and set them downYou come here to me...
She says brief things, her love's a pony
My love's subliminal
CP: Is there a type of double-meaning behind the Bankstitle, given the shaky financial state of this country and the
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title, given the shaky financial state of this country and thepeople's genuine distrust of banks and corporations as oflate?
Paul Banks:Yeah, I definitely like things that can be lookedat two different ways.
And I like doing things that are a little obtuse and that youcan't necessarily figure out. I like wordplay(jogo de palavras).
I like the idea very much that the title can either be atopical plural noun or just my last name. And I think theartwork kind of moves it in the direction away from beingabout my name too, so I like that.
All that I seeShow me your ways
All that I feelCapital ways
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Teach meto meet my desireswith some grace
All that I fearDont turn away and leave meto plead in this hole of a placeCause what if I never break?
Estuary wont you take mefar away, far away
All that I seekPlease police me, I want you to police meBut keep it clean
How have you been my dayNow lets take them away
Strong as you seem, old as you behaveYou will always obey
teach me to grieve and conspirewith my age
All that I can seeDomestic spreea seething routine I couldnever navigateMaybe I like to stray
No heart unseen will be left so clean, not todayIts like you want it that way
All that I seeIs peaceful eyes drawn away from meDrawn away from me
We'd like to take the signs(That is why I hold you)
And breed silence in disguise(Thats why I hold you dear)
We'd like to meet the buyer that is all your life
That's why I hold you (dear) (vrias vezes)
All that I see
Showme your waysAll that I feelCapital ways
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Teachme to meet my desireswith some grace
All that I fearDont turn away and leave me
to pleadin this hole of a placeCause what if I never break?
Estuarywont you take mefar away, far away
All that I seek
Pleasepoliceme, I want you to policemeBut keepit clean
How have you been my dayNow lets take them away
Strongas you seem, old as you behaveYou will always obey
teach me to grieve and conspirewith my age
All that I can seeDomestic spreea seethingroutine I couldnevernavigateMaybe I like to stray
No heart unseenwill be left so clean, not todayIts like you want it that way
All that I see
Is peacefuleyes drawn away from meDrawn away from me
We'd like to take the signs(That is why I hold you)
And breed silencein disguise(Thats why I hold you dear)We'd like to meet the buyer that is all your life
That's why I hold you (dear) (vrias vezes)
BREAKER 1
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You seen the day, how it happens rightThis beast inside meHe leads the way
Then hes at my sideWe feast till Im starvingAnd I feel my deep makeupThe ache inside go awayAm I aping some old holidaySome remnants of a wild side
Days begunGrace becomeBabe this week I just
Went through so muchAnd went through so much darlingAnd Ive seen my deep makeupThe ache inside go awayThe patience to climb all daySome remnants of a mountain
You seen the day, when I hold you tightAsleep beside me
There is a slopelike an appetitewe descend slowlyAnd I fear my deep makeupThe ache inside go awayThe vacant mind just relaySome explosion from the bright side
BREAKER 1
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You seen the day, how it happens rightThis beast inside meHe leads the way
Then hes at my sideWe feast till Im starvingAnd I feel my deep makeupThe ache inside go awayAm I aping some old holidaySome remnants of a wild side
Days begunGrace becomeBabe this week I just
Went through so muchAnd went through so much darlingAnd Ive seen my deep makeupThe ache inside go awayThe patience to climb all daySome remnants of a mountain
You seen the day, when I hold you tightAsleep beside me
There is a slopelike an appetitewe descend slowlyAnd I fear my deep makeupThe ache inside go awayThe vacant mind just relaySome explosion from the bright side
BREAKER 1
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You seen the day, how it happens rightThis beast inside meHe leads the way
Then hes at my sideWe feast till Im starvingAnd I feel my deep makeupThe ache inside go awayAm I aping some old holidaySome remnants of a wild side
Days begunGrace becomeBabe this week I just
Went through so muchAnd went through so much darlingAnd Ive seen my deep makeupThe ache inside go awayThe patience to climb all daySome remnants of a mountain
You seen the day, when I hold you tightAsleep beside me
There is a slopelike an appetitewe descend slowlyAnd I fear my deep makeupThe ache inside go awayThe vacant mind just relay
Some explosion from the bright side
BREAKER 1
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You seen the day, how it happens rightThis beast inside meHe leads the way
Then hes at my sideWe feast till Im starvingAnd I feel my deep makeupThe ache inside go awayAm I aping some old holidaySome remnants of a wild side
Days begunGrace becomeBabe this week I just
Went through so muchAnd went through so much darlingAnd Ive seen my deep makeupThe ache inside go awayThe patience to climb all daySome remnants of a mountain
You seen the day, when I hold you tightAsleep beside me
There is a slopelike an appetitewe descend slowlyAnd I fear my deep makeupThe ache inside go awayThe vacant mind just relay
Some explosion from the bright side
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All that I seeShow me your waysTeach me to meet my desires
All that I feelCapitol waysteach me to grieve and conspire
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Teach me to meet my desireswith some grace
All that I fearDont turn away and leave meto plead in this hole of a placeCause what if I never break?
Estuary wont you take me
far away, far away
All that I seekPlease police me, I want you to police meBut keep it clean
How have you been my dayNow lets take them away
Strong as you seem, old as you behaveYou will always obey
teach me to grieve and conspirewith my age
All that I can seeDomestic spree a seething routine I couldnever navigateMaybe I like to stray
No heart unseen will be left so clean, not today
Its like you want it that way
All that I seeIs peaceful eyes drawn away from meDrawn away from me
We'd like to take the signs(That is why I hold you)And breed silence in disguise(Thats why I hold you dear)We'd like to meet the buyer that is all your lifeThat's why I hold you (dear) (vrias vezes)
All that I seeShow me your waysTeach me to meet my desires
All that I feelCapitol waysteach me to grieve and conspire
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Teach me to meet my desireswith some grace
All that I fearDont turn away and leave meto plead in this hole of a placeCause what if I never break?
Estuary wont you take me
far away, far away
All that I seekPlease police me, I want you to police meBut keep it clean
How have you been my dayNow lets take them away
Strong as you seem, old as you behaveYou will always obey
teach me to grieve and conspirewith my age
All that I can seeDomestic spree a seething routine I couldnever navigateMaybe I like to stray
No heart unseen will be left so clean, not today
Its like you want it that way
All that I seeIs peaceful eyes drawn away from meDrawn away from me
We'd like to take the signs(That is why I hold you)And breed silence in disguise(Thats why I hold you dear)We'd like to meet the buyer that is all your lifeThat's why I hold you (dear) (vrias vezes)
All that I seeShow me your waysTeach me to meet my desires
All that I feelCapitol waysteach me to grieve and conspire
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Teach me to meet my desireswith some grace
All that I fearDont turn away and leave meto plead in this hole of a placeCause what if I never break?
Estuary wont you take me
far away, far away
All that I seekPlease police me, I want you to police meBut keep it clean
How have you been my dayNow lets take them away
Strong as you seem, old as you behaveYou will always obey
teach me to grieve and conspirewith my age
All that I can seeDomestic spree a seething routine I couldnever navigateMaybe I like to stray
No heart unseen will be left so clean, not today
Its like you want it that way
All that I seeIs peaceful eyes drawn away from meDrawn away from me
We'd like to take the signs(That is why I hold you)And breed silence in disguise(Thats why I hold you dear)We'd like to meet the buyer that is all your lifeThat's why I hold you (dear) (vrias vezes)
All that I seeShow me your waysTeach me to meet my desires
All that I feelCapitol waysteach me to grieve and conspire
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Teach me to meet my desireswith some grace
All that I fearDont turn away and leave meto plead in this hole of a placeCause what if I never break?
Estuary wont you take me
far away, far away
All that I seekPlease police me, I want you to police meBut keep it clean
How have you been my dayNow lets take them away
Strong as you seem, old as you behaveYou will always obey
teach me to grieve and conspirewith my age
All that I can seeDomestic spree a seething routine I couldnever navigateMaybe I like to stray
No heart unseen will be left so clean, not today
Its like you want it that way
All that I seeIs peaceful eyes drawn away from meDrawn away from me
We'd like to take the signs(That is why I hold you)And breed silence in disguise(Thats why I hold you dear)We'd like to meet the buyer that is all your lifeThat's why I hold you (dear) (vrias vezes)
All that I seeShow me your waysTeach me to meet my desires
All that I feelCapitol waysteach me to grieve and conspire
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Teach me to meet my desireswith some grace
All that I fearDont turn away and leave meto plead in this hole of a placeCause what if I never break?
Estuary wont you take me
far away, far away
All that I seekPlease police me, I want you to police meBut keep it clean
How have you been my dayNow lets take them away
Strong as you seem, old as you behaveYou will always obey
teach me to grieve and conspirewith my age
All that I can seeDomestic spree a seething routine I couldnever navigateMaybe I like to stray
No heart unseen will be left so clean, not today
Its like you want it that way
All that I seeIs peaceful eyes drawn away from meDrawn away from me
We'd like to take the signs(That is why I hold you)And breed silence in disguise(Thats why I hold you dear)We'd like to meet the buyer that is all your lifeThat's why I hold you (dear) (vrias vezes)
All that I seeShow me your waysTeach me to meet my desires
All that I feelCapitol waysteach me to grieve and conspire
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Teach me to meet my desireswith some grace
All that I fearDont turn away and leave meto plead in this hole of a placeCause what if I never break?
Estuary wont you take me
far away, far away
All that I seekPlease police me, I want you to police meBut keep it clean
How have you been my dayNow lets take them away
Strong as you seem, old as you behaveYou will always obey
teach me to grieve and conspirewith my age
All that I can seeDomestic spree a seething routine I couldnever navigateMaybe I like to stray
No heart unseen will be left so clean, not today
Its like you want it that way
All that I seeIs peaceful eyes drawn away from meDrawn away from me
We'd like to take the signs(That is why I hold you)And breed silence in disguise(Thats why I hold you dear)We'd like to meet the buyer that is all your lifeThat's why I hold you (dear) (vrias vezes)
PV: Have you applied any chess strategy to music?Paul Banks:Perhaps in the sense that I think the truly
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p ygifted chess players do think outside of the box. But there
is a box: a fundamental aspect of things you should andshouldnt do. *+
As a younger artist, I sorta felt like everything should be
formless and shapeless and intuitive. But then I learnedthat frameworks can actually enhance the art. Its a similarlesson I learned when I was reading sonnets and poetrythat was restricted to form.
Instinctively, I felt that free-form poetrywithout therestrictions of iambic pentameter or rhyme schemeswasgonna be much more expressive.
Then I read John Donne. Then I read Shakespeare. And Iunderstood that you could not possibly encapsulate more
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y p y pmeaning in a smaller space than what those guys were
doing. And it revealed to me that maybe the limitations ofthe poetic structure, in some fucked up way, actuallyincreased your ability to communicate. And that maybe byapplying some framework to what Im doing, it will help.
Theres a reason that a lot of great songs have verse-chorus, verse-chorus, bridge. So that contributed to mysongwriting, when I realized that there is a formula.
But the key is to understand the formula, and then make ityour own. Then you can expand from there. Just like inchess: just embrace a standard opening and go from there.
Songwriters on Process: How do you think yoursongwriting process has changed over the course of your
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g g p g yInterpol days?
Paul Banks: I feel like I've gotten stronger.
I look back at some early work and love it, but I think I was
set more on "destroy" early on. That's a great place to getmotivation from, so I'd just write things with the intent ofdestroying meaning, destroying expectations, destroyingsense.
Now I'm much more interested in elegance and evenexploring more conventional forms.
Paul Banks: I was always very misunderstood and taken asvery pretentious and serious all the time. I would think,
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y p ,"Do you not see there's a lot of tongue-in-cheek and
humorhere?"*+
Paul Banks: I had this perverse gravitation towards using a
terrible clich sandwiched in between absurd non-clichsbecause I thought it gave the clich a new resonance.
It kills me when my lyrics are misquoted, but as long as
people are quoting them right, I don't care what anybodyhas to say about them.
All that I seeShow me your waysTeach me to meet my desires
All that I feelCapitol waysteach me to grieve and conspire
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Teach me to meet my desireswith some grace
All that I fearDont turn away and leave meto plead in this hole of a placeCause what if I never break?
Estuary wont you take me
far away, far away
All that I seekPlease police me, I want you to police meBut keep it clean
How have you been my dayNow lets take them away
Strong as you seem, old as you behaveYou will always obey
teach me to grieve and conspirewith my age
All that I can seeDomestic spree a seething routine I couldnever navigateMaybe I like to stray
No heart unseen will be left so clean, not today
Its like you want it that way
All that I seeIs peaceful eyes drawn away from meDrawn away from me
We'd like to take the signs(That is why I hold you)And breed silence in disguise(Thats why I hold you dear)We'd like to meet the buyer that is all your lifeThat's why I hold you (dear) (vrias vezes)
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Tcnicas Estilsticas Habituais
d d d d d d d d
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Processos cmicos, disruptivos da continuidade e unidade do sentido1) Surrealismo: uso de expresses absurdas ou uso absurdo de expresses
idiomticas (sentido to gasto que cristalizou)Ex: keep it clean
Processos unificadores, conferem simetria sinttica e lexical2) Paralelismo sinttico: repetio de frases com variao duma parte
Ex: All that I see / seek / feel / can see
3) Aliterao: repetio dos mesmos sons fonticosEx: All I can see / Domestic spree, a seething routine ()
4) Jogo de palavras: pr em uso os vrios sentidos que a palavra pode terconforme o contexto (jogo entre igualdade sonora e variedade semntica)Ex: dont turn away, take me far away, lets keep them away, drawnaway
5) Campos semnticos: Polcia& Mar
A Polcia: introduz temas modernos de domnio e aprisionamento
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A - Polcia: introduz temas modernos de domnio e aprisionamentoEla to mais poderosa (strong as you seem, old as you behave) quantomais dcil (with some grace, obey, peaceful eyes)
convive paradoxal, tensamente com
B - Mar: introduz a antiga imagem do oceano como horizonte infinito eliberdade de viagem
ela quem o prende (police me), mas tambm ela que o leva numaviagem que o liberta (estuary, wont you take me far away)
Esta tenso caracteriza a experincia amorosa:Por um lado, ela est-se a ir embora (turn away from me, drawn away
from me) e algo nele no o deixa prender-se (maybe I like to stray)
Por outro lado, ele quer ficar preso (wont you take me far away I wantyou to police me, domestic, routine) e por isso agarra-a (Thats why Ihold you)
Interpol: o monstro da fama | Melissa Maerz
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Em tempos, o apelo de Interpol estava todo num
distanciamento desdenhoso. Banks cantava sobre no estarimpressionado e treinar-se no no se importar, enquantoguitarras angulares tocavam com preciso de picareta,tentando quebrar qualquer coisa gelada dentro dele.
Mas em Interpol, a sua voz bem mais ntida e afetuosa - e,em vrias maneiras, mais triste. Neste disco, pela primeiravez, explorei a vulnerabilidade, admite. Antes a minha
postura era mais de rancor, ressentimento, - o que era, dizele, uma reao aos crticos que se tinham recusado a levara banda seriamente - mas agora trata-se mais do meu ladopattico.
Interpol: o monstro da fama| Melissa Maerz
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Em tempos, o apelo de Interpol estava todo num
distanciamento desdenhoso. Banks cantava sobre no estarimpressionado e treinar-se no no se importar, enquantoguitarras angulares tocavam com preciso de picareta,tentando quebrar qualquer coisa gelada dentro dele.
Mas em Interpol, a sua voz bem mais ntida e afetuosa - e,em vrias maneiras, mais triste. Neste disco, pela primeiravez, explorei a vulnerabilidade, admite. Antes a minha
postura era mais de rancor, ressentimento, - o que era, dizele, uma reao aos crticos que se tinham recusado a levara banda seriamente - mas agora trata-se mais do meu ladopattico.
Interpol: o monstro da fama | Melissa Maerz
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Em tempos, o apelo de Interpol estava todo num
distanciamento desdenhoso. Banks cantava sobre no estarimpressionado e treinar-se no no se importar, enquantoguitarras angulares tocavam com preciso de picareta,tentando quebrar qualquer coisa gelada dentro dele.
Mas em Interpol, a sua voz bem mais ntida e afetuosa - e,em vrias maneiras, mais triste. Neste disco, pela primeiravez, explorei a vulnerabilidade, admite. Antes a minha
postura era mais de rancor, ressentimento, - o que era, dizele, uma reao aos crticos que se tinham recusado a levara banda seriamente - mas agora trata-se mais do meu ladopattico.
Banks separou-se da sua namorada enquanto trabalhava nolbum, e colheu dessa experincia liricamente. Houve
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, pmomentos em que lidei com o cime, ou aprendi mais
sobre as minhas prprias inseguranas, confessa. Porexemplo, numa msica gozo com o novo namorado daminha ex-namorada.
Ele d certo crdito ao professor de voz Ron Anderson, quetrabalhou com toda a gente, de Elvis a Axl Rose, por oajudar a trazer ao de cima essa emoo, tanto na vozprincipal como nas fantasmagricas, quase inaudveis vozes
de fundo que se vo entrelaando na maior parte das novasmsicas de Interpol. quase como uma correntesubterrnea subconsciente, explica. Comunica o modocomo todos ns temos vozes interiores contraditrias.
Banks separou-se da sua namorada enquanto trabalhava nolbum, e colheu dessa experincia liricamente. Houve
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pmomentos em que lidei com o cime, ou aprendi mais
sobre as minhas prprias inseguranas, confessa. Porexemplo, numa msica gozo com o novo namorado daminha ex-namorada.
Ele d certo crdito ao professor de voz Ron Anderson, quetrabalhou com toda a gente, de Elvis a Axl Rose, por oajudar a trazer ao de cima essa emoo, tanto na vozprincipal como nas fantasmagricas, quase inaudveis vozes
de fundo que se vo entrelaando na maior parte das novasmsicas de Interpol. quase como uma correntesubterrnea subconsciente, explica. Comunica o modocomo todos ns temos vozes interiores contraditrias.
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Banks separou-se da sua namorada enquanto trabalhava nolbum, e colheu dessa experincia liricamente. Houve
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momentos em que lidei com o cime, ou aprendi mais
sobre as minhas prprias inseguranas, confessa. Porexemplo, numa msica gozo com o novo namorado daminha ex-namorada.
Ele d certo crdito ao professor de voz Ron Anderson, quetrabalhou com toda a gente, de Elvis a Axl Rose, por oajudar a trazer ao de cima essa emoo, tanto na vozprincipal como nas fantasmagricas, quase inaudveis vozes
de fundo que se vo entrelaando na maior parte das novasmsicas de Interpol. quase como uma correntesubterrnea subconsciente, explica. Comunica o modocomo todos ns temos vozes interiores contraditrias.
All that I seeShow me your waysTeach me to meet my desireswith some grace
All that I feelCapitol waysteach me to grieve and conspirewith my age
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with some grace
All that I fear
Dont turn away and leave meto plead in this hole of a placeCause what if I never break?
Estuary wont you take mefar away, far away
All that I seekPlease police me, I want you to police meBut keep it clean
How have you been my day
Now lets take them away(That is why I hold you) fantasmagrico
Strong as you seem, old as you behave(That is why I hold you)You will always obey(That is why I hold you)
with my age
All that I can see
Domestic spree a seething routine I couldnever navigateMaybe I like to stray
No heart unseen will be left so clean, not todayIts like you want it that way
All that I seeIs peaceful eyes drawn away from meDrawn away from me
We'd like to take the signs(That is why I hold you) mais altoAnd breed silence in disguise(Thats why I hold you dear)We'd like to meet the buyer that is all your lifeThat's why I hold you, dear voz principal
Lights(Interpol, 2010)
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g ( p , )
Do you feel responsible for helping to create a visual identity for the band?David Calderly: Interpol have always had a very strong sense of their ownidentity/brand Over the years my involvement as their Designer has been to
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identity/brand. Over the years my involvement as their Designer has been tocontribute and articulate ideas within that space.
How does a design come together initially? Do you hear the music as you goalong, or does a visual idea come first?David Calderly: Often the band may have a loose subject or theme and want tosee it articulated or explored as a visual idea. On the previous album, Paul hadbeen reading about the stones of Puma Punku and the Nazca lines in Peru, this
in turn led to the visual direction for the album art.
We caught up with David Calderley from Graphic Therapy for a few words aboutthe project:David Calderly: I had worked with Interpol on the previous album Our Love to
Admire, so obviously I was thrilled to be given the opportunity to work withthem again. I have always been a fan, so it was great to be involvedagain. Working closely with lead singer Paul Banks, the concept was influencedlargely by the ancient stones of Puma Punku and the concepts of navigation, re-alignment in both a physical and emotional space.
Do you feel responsible for helping to create a visual identity for the band?David Calderly: Interpol have alway