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Estruturas emergentes do sistema da arte : instituies culturais bancrias,

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Estruturas emergentes do sistema da arte : instituies culturais bancrias, produtores e curadores

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Title Estruturas emergentes do sistema da arte : instituies culturais bancrias, produtores e curadores

Author Rosa, Nei Vargas da (/browse?type=author&value=Rosa, Nei Vargas da)

Advisor Bulhoes, Maria Amelia (/browse?type=author&value=Bulhoes, Maria Amelia)

Date 2008

Level Mestrado

Institution Universidade Federal do Rio Grande do Sul. Instituto de Artes. Programa de Ps-Graduao em Artes Visuais.

Subject

Arte : Cultura (/browse?type=subject&value=Arte : Cultura)

Centro cultural banco do Brasil (/browse?type=subject&value=Centro cultural banco do Brasil)

Instituies culturais (/browse?type=subject&value=Instituies culturais)

Instituies culturais bancrias (/browse?type=subject&value=Instituies culturais bancrias)

Plataformas culturais (/browse?type=subject&value=Plataformas culturais)Produtores culturais : Curadores (/browse?type=subject&value=Produtores culturais : Curadores)

[en] Cultural platforms (/browse?type=subject&value=Cultural platforms)

[en] Curators (/browse?type=subject&value=Curators)

[en] Producers (/browse?type=subject&value=Producers)

Abstract in

Portuguese

O trabalho evidencia um novo modelo de gesto e funcionamento do sistema da arte no Brasil, considerando a emergncia de dois novos atores e de um tipo

especfico de instituio cultural a partir dos anos oitenta. Nesse sentido, analisa as atuaes de curadores, produtores e plataformas culturais articuladas a

corporaes bancrias no destino de artistas e obras no contexto da histria da arte na contemporaneidade. Para tanto, focaliza a atuao do Ita Cultural, em So

Paulo, e do Centro Cultural do Banco do Brasil do Rio de Janeiro, no perodo de 2000 a 2005, da qual so selecionados para entrevista um grupo de curadores,

produtores culturais e artistas, alm dos gestores das instituies. O objetivo do estudo mostrar como o regime de eventos passou a vigorar no sistema,

influenciado pela ao do Estado e das infra-estruturas emergentes, responsveis pela circulao e visibilidade da produo artstica.

Abstract

The current paper highlights a new management and functioning model for the art system in Brazil, considering the emergence of two new agents and a specific type

of cultural institution which appeared in the 1980s. Thus, it analyses the work of curators, producers and also cultural platforms related to bank corporations in the

career of artists and their works in the context of contemporary history of art. In order to reach that goal, it focuses on the work of Ita Cultural in So Paulo and

Centro Cultural Banco do Brasil in Rio de Janeiro from the year 2000 to 2005. It was selected a group of curators, producers, artists and managers of the

institutions to take part in the interviews. The aim of the study is to show how a policy of events started to exist in the system, influenced by the action of the estate

and the emerging infrastructure, which are responsible for the visibility and circulation of artistic production.

Type Dissertao

URI http://hdl.handle.net/10183/14945

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