Letícia Laxon | Portfolio

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letícia laxon fine art drawing painting installation

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Transcript of Letícia Laxon | Portfolio

Page 1: Letícia Laxon  | Portfolio

letícia laxon fine art

drawingpaintinginstallation

Page 2: Letícia Laxon  | Portfolio

Self Portrait Door2013mixed technique

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self-portrait door

The Self-portrait door has, in its internal side, a series of self-portraits

and in its external side three portraits of the artist made by

collaborators. Explanatory texts accompany the drawings and

paintings. The door is a metaphor of a transparent intimacy openness

(there is an inscription ‘room to draw’), which invites the viewer to get

to know the artist in an introspective way, through allegorical self

images and abstract concepts of the self.

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Seven ArrowsFeb, 2014crayon, marker, ink and tiles32 X 48 in

seven arrows

“Arrows in pink address that

which I had thought impossible

to escape from”.

Urban intervention. Interaction

between mosaic and flypost.

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Filho Veado2013installation with photography, mirror and drawings

deer son

The word for “deer” in portuguese refers

both to the animal and to a male

homossexual. The polysemy in the term is

the central point of the installation. It is

about dealing wth homossexuality in a

repressive family’s context.

a picture of me (detached in purple) and my older sister in 2000

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body

RestingNov, 2013ink on paperA4

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Bandage and DesireNov, 2013ink and watercolor on paperA3

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EncounterJan, 2012ink and watercolor on paperA3

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BlueNov, 2013dry pastel and ink on paperA3

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DisciplineDec, 2012dry pastel on paperA4

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UntitledNov, 2012ink, watercolor and dry pastel on paperA4

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I have no envy of motherhoodAug, 2013dry pastel, crayon, colored pencil and oil on paperA4

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DecliveJan, 2014dry pastel, crayon and watercolor on paperA3

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wildness

Letting the beasts from inside run free.

Carrying the world on her bellyNov, 2013Charcoal and dry pastel on paperA2

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Parsons GreenJun, 2013Watercolor, colored pencil and crayon on paper12 X 6,5 in

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Exu and Oxalá know themselvesJan, 2013Ink and watercolor on paperA3

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HIppopotamus ShoutDec, 2012Charcoal and dry pastel on paperA3

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early works

A Catholic School’s Classroom in Buenos Aires2004pen and pencil on paper8 X 10 in

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Faceless sitting woman2004pen and pencil on paper3,5 x 3,5 in

Woman by the window2004pencil on paper4 x 3,5 in

Licking her toes2004pencil on paper11,5 x 7,5 in

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portraiture

Olocum and its shameSept, 2013dry pastel and watercolor on paper4,5 X 11,5 in

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Cortazar2004pen and pencil on paper7,5 X 7,5 in

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PedroDec, 2013dry pastel, ink and watercolor on paperA3

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About the nightmares for which

there is no awakening

Jul, 2013colored pencil, dry pastel, watercolor, acrylic and ink on

paper11,5 X 10 in

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Visiting Saddam Nov, 2012 markers, ink and watercolor on paper A3

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sketchbooks

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unfinished work

Back Strokestarted in Jun, 2013ink, crayons, marker, watercolor on wall25 X 48 in

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F for Fakestarted in Jan, 2013pencil, oil, marker, watercolor, paper, charcoal, ink on wooden door28 X 82,5 in

The theme of copy/authorship is permanent in

my artistic investigation. This piece of work

consists in an assembly of copies made out of

varied Quino’s pieces and the unfinished lady is

a trial to copy Toulouse Lautrec’s La Toillet.

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Study on the mouthstarted on Dec, 2012magazines, watercolor, ink, marker and crayons on wall64 X 65 in

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Sketch - The bridge2014project of urban intervention with flyposters over an actual bridge

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The bridge (legs) started in Aug, 2013

watercolor and gouache on paper 38,5 x 27,5 in

The bridge (upper body) started in Aug, 2013

watercolor and gouache on paper 40,5 x 27,5 in

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Transklimtstarted in Oct, 2013ink, watercolor, acrylic and gouache on paper27,5 X 38,5 in

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No one likes to feel lonely2013animation

vimeo.com/69385264password: tish

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B&W

Aug, 2012marker and pencil on paperA4

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Embraces his bellyNov, 2012

ink on paperA4

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Untitled,Dec, 2012ink on paperA4

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Strokes, body and a chickenJan, 2013ink on paperA4

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Wild BlueApr, 2013ink on paperA4

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Odoyá

Flyposter fixed in a abandoned house

at Itacimirim beach, Bahia. It was

made as a religious gift tho Yemanjá,

the orisha that rules the seas in

Candomblé culture. Self-portrait made

in a creative partnership with the artist

Clara Domingas.

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Odoyá I and IIFeb, 2013gouache paint on paper27 X 38,5 in